[image_with_animation image_url=”8549″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Several years ago I took a few Chinese Ink painting classes from Kiki MacInnis and Bang Jin Sun at Pratt. I learned about several styles of traditional and contemporary ink painting, none of which I can remember well enough to name at the moment (sound of shuffling through old notes), but to make my point with a blunt sharpie instead of a fine pencil point of detail, roughly, I do remember there is Chinese Ink in expressionist style. Given the spring days we’ve been having, and my own hunger for spring, I thought it was time to enjoy some sumi branches. Cherry branches are such food for the eyes, after our drizzly grey winters. Here are several cherry and plum blossom paintings by Huang Yongyu, born 1949, painted in the contemporary expressionist style. I can’t say when all of these were painted since most paintings don’t have full labels, but the ones that are time stamped say 1974.
Plum Blossoms, 1974
” load_in_animation=”none Hey – if you’re eager for spring cherry blossoms, there’s a 1 day workshop on April 8th you might enjoy: Angie Dixon is teaching Blooms and Branches, in which students will learn to paint traditional sumi ink blooms and branches. Angie completed graduate studies in the People’s Republic of China at the Zhejiang Academy of Fine Arts. We invited her to the League because she was highly recommended by Hannah Deberg, who took several of Angie’s workshops, and said we should get her if we can. Hannah is very rarely incorrect about anything, and Angie is wonderful. Bring the spring!
[image_with_animation image_url=”7110″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Monotypes are one of a kind prints made from an unetched plate. Ink is applied to the plate, and then additive or subtractive processes with ink form an image. For my monotypes, I used a rag, a soft brush, a stencil, a makeup sponge, and a pencil shaped dowel …
I chose the clip above for Kerry James Marshall’s thoughts about how identifying as a Black artist is not a real choice, because only white artists are not burdened by the problems of race. Then the paintings of Black artists in the ‘Being an Artist” video (above) led me to seek out more of Marshall’s …
The Representation of Fireworks in Early Modern Europe “Fireworks are intrinsically fleeting, transitory, fugitive. Their power lies in the brutality of their transience: dying the instant of their birth, consumed in the act of consummation. There is something ironic, even poignant, then, in the attempt to render permanent through the medium of art a phenomenon …
From the Latin (via Italian) fumare (“to smoke”), sfumato describes a painting technique with no harsh outlines. Areas blend into one another through tiny brushstrokes, which makes a hazy, atmospheric depiction of light and color. An early example of sfumato can be seen in Leonardo’s Mona Lisa. A more modern example is in Y.Z. Kami’s giant meditative portraits. Pronunciation: sfoo·mah·toe ” img_size=”full Xandy Peters : Sfumato …
Huang Yongyu; Spring Blossoms
[image_with_animation image_url=”8549″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Several years ago I took a few Chinese Ink painting classes from Kiki MacInnis and Bang Jin Sun at Pratt. I learned about several styles of traditional and contemporary ink painting, none of which I can remember well enough to name at the moment (sound of shuffling through old notes), but to make my point with a blunt sharpie instead of a fine pencil point of detail, roughly, I do remember there is Chinese Ink in expressionist style. Given the spring days we’ve been having, and my own hunger for spring, I thought it was time to enjoy some sumi branches. Cherry branches are such food for the eyes, after our drizzly grey winters. Here are several cherry and plum blossom paintings by Huang Yongyu, born 1949, painted in the contemporary expressionist style. I can’t say when all of these were painted since most paintings don’t have full labels, but the ones that are time stamped say 1974.
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Monotypes, “and now… and now… and now…”
[image_with_animation image_url=”7110″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Monotypes are one of a kind prints made from an unetched plate. Ink is applied to the plate, and then additive or subtractive processes with ink form an image. For my monotypes, I used a rag, a soft brush, a stencil, a makeup sponge, and a pencil shaped dowel …
Being an Artist; Kerry James Marshall
I chose the clip above for Kerry James Marshall’s thoughts about how identifying as a Black artist is not a real choice, because only white artists are not burdened by the problems of race. Then the paintings of Black artists in the ‘Being an Artist” video (above) led me to seek out more of Marshall’s …
Happy New Year!
The Representation of Fireworks in Early Modern Europe “Fireworks are intrinsically fleeting, transitory, fugitive. Their power lies in the brutality of their transience: dying the instant of their birth, consumed in the act of consummation. There is something ironic, even poignant, then, in the attempt to render permanent through the medium of art a phenomenon …
Sfumato
From the Latin (via Italian) fumare (“to smoke”), sfumato describes a painting technique with no harsh outlines. Areas blend into one another through tiny brushstrokes, which makes a hazy, atmospheric depiction of light and color. An early example of sfumato can be seen in Leonardo’s Mona Lisa. A more modern example is in Y.Z. Kami’s giant meditative portraits. Pronunciation: sfoo·mah·toe ” img_size=”full Xandy Peters : Sfumato …