Bump Hunting – A figure drawing technique in which an artist not well versed in anatomy compensates by looking for subtle bumps in the model’s contours. These bumps can be slightly exaggerated to articulate bones, tendons, fat, and muscles beneath the surface of the skin.
V-cabulary is a new dictionary of invented art terms that would not be used in a school of respectable reputation.
Pierre Bonnard was an avid sketcher, filling countless sketchbooks and scraps of paper with drawings he would later peruse for painting inspiration when in his studio. From a previous V. Note: Bonnard did not paint from direct observation. He said he felt ‘weak in front of nature. …The presence of the object, the motif, is …
[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text] I’m collecting images to share for week three of the SAL Challenge. I’ll post them tomorrow. One more day left in the 31 day creative challenge. Get your sketches up! [/vc_column_text][/vc_column][/vc_row]
Last quarter I saw a profound shift in artwork at the school. It happened in Jonathan Harkham‘s Still Life class. Jonathan Harkham is an artist and educator who is joining us from his studio in LA. On the first day of class I noticed there were some nice student paintings, then increasingly through the weeks …
I have been sharing works from Figure in Interior; the most unusual art class I’ve ever been a part of. I talked about Cezanne, and how making small marks distributed around the page (thank you to Fran O’Neill) can be a way to integrate time and change within a drawing. I talked about Kathy Paul and …
V-cabulary: Bump Hunting
V-cabulary is a new dictionary of invented art terms that would not be used in a school of respectable reputation.
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Pierre Bonnard was an avid sketcher, filling countless sketchbooks and scraps of paper with drawings he would later peruse for painting inspiration when in his studio. From a previous V. Note: Bonnard did not paint from direct observation. He said he felt ‘weak in front of nature. …The presence of the object, the motif, is …
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[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text] I’m collecting images to share for week three of the SAL Challenge. I’ll post them tomorrow. One more day left in the 31 day creative challenge. Get your sketches up! [/vc_column_text][/vc_column][/vc_row]
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