Bump Hunting – A figure drawing technique in which an artist not well versed in anatomy compensates by looking for subtle bumps in the model’s contours. These bumps can be slightly exaggerated to articulate bones, tendons, fat, and muscles beneath the surface of the skin.
V-cabulary is a new dictionary of invented art terms that would not be used in a school of respectable reputation.
[image_with_animation image_url=”8666″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] A couple days ago I shared “A Very Fancy Painting Tool” a rough but effective fast-made bridge. I received a great comment from Sue Rose, which prompted more thoughts for today: Sue Rose says: March 20, 2018 at 12:36 pm Cool! I have a tool, too. My mother has something …
This first image was from the ‘Transience and Eternity’, Angie Dixon’s exhibition at Foster/White in the 1990’s. It was a combination of installation and paintings. It was about creation and the formation of everything before it becomes tangible. The paintings were meant to be of the actual tangible results of the creative formation. The installation …
High Flight Oh! I have slipped the surly bonds of Earth And danced the skies on laughter-silvered wings; Sunward I’ve climbed, and joined the tumbling mirth Of sun-split clouds, — and done a hundred things You have not dreamed of — wheeled and soared and swung High in the sunlit silence. Hov’ring there, I’ve chased …
V-cabulary: Bump Hunting
V-cabulary is a new dictionary of invented art terms that would not be used in a school of respectable reputation.
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[image_with_animation image_url=”8666″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] A couple days ago I shared “A Very Fancy Painting Tool” a rough but effective fast-made bridge. I received a great comment from Sue Rose, which prompted more thoughts for today: Sue Rose says: March 20, 2018 at 12:36 pm Cool! I have a tool, too. My mother has something …
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This first image was from the ‘Transience and Eternity’, Angie Dixon’s exhibition at Foster/White in the 1990’s. It was a combination of installation and paintings. It was about creation and the formation of everything before it becomes tangible. The paintings were meant to be of the actual tangible results of the creative formation. The installation …
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