When I was little, before I could write, I would pretend to write in cursive. I’d take a pencil and paper and draw repeated double loops like cursive f’s, and scrawl graceful wavy lumpy lines. That’s what cursive looked like. I’d pretend to write a doctoral dissertation. My parents were in grad school in Claremont at the time, and I was surrounded by kind academics and their rumpled papers, so in order to make it authentic I’d crumple up the paper as if I was experiencing frustration, then press it all out again, erasing and adding notations in the margins. I would repeat this over and over, with perfect seriousness. I thought it was a beautiful process. I didn’t grow up to write a dissertation, but I did grow up to be a writer, and I am sorry they no longer teach cursive in schools. I still love the look of cursive, and of rumpled paper.
Today, I propose an asemic writing project. Draw lines that resemble words, but without writing anything of meaning.
“Asemic writing is a wordless open semantic form of writing. The word asemic means “having no specific semantic content,” or “without the smallest unit of meaning.” With the non-specificity of asemic writing there comes a vacuum of meaning, which is left for the reader to fill in and interpret.” – Wikipedia
Thank you to the hauntingly mysterious League painter Siobhan Wilder for this idea.[/vc_column_text][image_with_animation image_url=”7858″ alignment=”center” animation=”Fade In” box_shadow=”none” max_width=”100%”][/vc_column][/vc_row]
If you’ve gone into instagram or padlet to see some of the creative responses to these challenges, you have probably seen some of the fabulous contributions from artists. From out of the dozens of interesting artworks, here are a few. Day 8: Reverse Collage The instructions were to stack materials, then reveal layers.
Aliza Nisenbaum was born in 1977 in Mexico City. She trained at the School of the Art Institute in Chicago and has been living in New York. Her large scale paintings are part of her social practice, focused on the strength of communities, painting people such as workers or immigrants – people who tend to …
Launch your creativity for 2020 with this 30 day Creative Challenge. Connie Pierson How it works January 1-30 we’ll post a daily creative challenge to our website. V.Notes subscribers will receive this post in their inbox every day at 7am. If you want to participate, subscribe to V. notes. Help us grow! Invite your friends to …
SAL Challenge Day 26: Asemic Writing
[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”7856″ alignment=”center” animation=”Fade In” box_shadow=”none” max_width=”100%”][vc_column_text]
Siobhan Wilder, painting in progress
When I was little, before I could write, I would pretend to write in cursive. I’d take a pencil and paper and draw repeated double loops like cursive f’s, and scrawl graceful wavy lumpy lines. That’s what cursive looked like. I’d pretend to write a doctoral dissertation. My parents were in grad school in Claremont at the time, and I was surrounded by kind academics and their rumpled papers, so in order to make it authentic I’d crumple up the paper as if I was experiencing frustration, then press it all out again, erasing and adding notations in the margins. I would repeat this over and over, with perfect seriousness. I thought it was a beautiful process. I didn’t grow up to write a dissertation, but I did grow up to be a writer, and I am sorry they no longer teach cursive in schools. I still love the look of cursive, and of rumpled paper.
Today, I propose an asemic writing project. Draw lines that resemble words, but without writing anything of meaning.
Thank you to the hauntingly mysterious League painter Siobhan Wilder for this idea.[/vc_column_text][image_with_animation image_url=”7858″ alignment=”center” animation=”Fade In” box_shadow=”none” max_width=”100%”][/vc_column][/vc_row]
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[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”10026″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”][vc_column_text] Frida Kahlo, 1952 Portraits of Artist’s Fathers It’s father’s day, so I’ve collected some drawings and paintings of artist’s fathers. Evidently fathers often read the paper, and sit in chairs. Note: The names …
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If you’ve gone into instagram or padlet to see some of the creative responses to these challenges, you have probably seen some of the fabulous contributions from artists. From out of the dozens of interesting artworks, here are a few. Day 8: Reverse Collage The instructions were to stack materials, then reveal layers.
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Aliza Nisenbaum was born in 1977 in Mexico City. She trained at the School of the Art Institute in Chicago and has been living in New York. Her large scale paintings are part of her social practice, focused on the strength of communities, painting people such as workers or immigrants – people who tend to …
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