When I was little, before I could write, I would pretend to write in cursive. I’d take a pencil and paper and draw repeated double loops like cursive f’s, and scrawl graceful wavy lumpy lines. That’s what cursive looked like. I’d pretend to write a doctoral dissertation. My parents were in grad school in Claremont at the time, and I was surrounded by kind academics and their rumpled papers, so in order to make it authentic I’d crumple up the paper as if I was experiencing frustration, then press it all out again, erasing and adding notations in the margins. I would repeat this over and over, with perfect seriousness. I thought it was a beautiful process. I didn’t grow up to write a dissertation, but I did grow up to be a writer, and I am sorry they no longer teach cursive in schools. I still love the look of cursive, and of rumpled paper.
Today, I propose an asemic writing project. Draw lines that resemble words, but without writing anything of meaning.
“Asemic writing is a wordless open semantic form of writing. The word asemic means “having no specific semantic content,” or “without the smallest unit of meaning.” With the non-specificity of asemic writing there comes a vacuum of meaning, which is left for the reader to fill in and interpret.” – Wikipedia
Thank you to the hauntingly mysterious League painter Siobhan Wilder for this idea. [image_with_animation image_url=”7858″ alignment=”center” animation=”Fade In” box_shadow=”none” max_width=”100%”]
Here’s another painter from the list of Carlos San Millan’s favorites: Mitchell Johnson. Johnson’s paintings take urban and suburban architecture and turns them into playful studies of color and shape. The shapes in his recent paintings are large, flat areas of pronounced color theory – almost resembling collage. Artist influences: Josef Albers, Morandi. Place influences: …
Yesterday I posted my sketches; some fun ideas we are exploring in “Abstracting the Image” on Thursdays. Each week we’re taking a masterwork and exploring it with approaches inspired by contemporary abstract painters. The purpose of this exercise is to be able to lean on, and learn from the composition of the masterwork, while exploring …
“The Colorist” Casey Klahn is an American pastel artist born in 1958 in Hoquiam, Washington, now living in Davenport. His pastel landscapes are abstracted shapes where color gets to play.
Today’s SEQUENCE challenge: Create an instructional that no one will ever need. #howtodoeverything Post it To be eligible for prizes (yes prizes!) at the end of the month, post your work to Instagram with #30sal and #howtodoeverything so we can find your post. To find more followers for your page, you can cut/paste these to your post: #30sal #howtodoeverything #mansplain …
SAL Challenge Day 26: Asemic Writing
[image_with_animation image_url=”7856″ alignment=”center” animation=”Fade In” box_shadow=”none” max_width=”100%”]
Siobhan Wilder, painting in progress
When I was little, before I could write, I would pretend to write in cursive. I’d take a pencil and paper and draw repeated double loops like cursive f’s, and scrawl graceful wavy lumpy lines. That’s what cursive looked like. I’d pretend to write a doctoral dissertation. My parents were in grad school in Claremont at the time, and I was surrounded by kind academics and their rumpled papers, so in order to make it authentic I’d crumple up the paper as if I was experiencing frustration, then press it all out again, erasing and adding notations in the margins. I would repeat this over and over, with perfect seriousness. I thought it was a beautiful process. I didn’t grow up to write a dissertation, but I did grow up to be a writer, and I am sorry they no longer teach cursive in schools. I still love the look of cursive, and of rumpled paper.
Today, I propose an asemic writing project. Draw lines that resemble words, but without writing anything of meaning.
Thank you to the hauntingly mysterious League painter Siobhan Wilder for this idea. [image_with_animation image_url=”7858″ alignment=”center” animation=”Fade In” box_shadow=”none” max_width=”100%”]
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Mitchell Johnson
Here’s another painter from the list of Carlos San Millan’s favorites: Mitchell Johnson. Johnson’s paintings take urban and suburban architecture and turns them into playful studies of color and shape. The shapes in his recent paintings are large, flat areas of pronounced color theory – almost resembling collage. Artist influences: Josef Albers, Morandi. Place influences: …
Pontormo, Student Sketches
Yesterday I posted my sketches; some fun ideas we are exploring in “Abstracting the Image” on Thursdays. Each week we’re taking a masterwork and exploring it with approaches inspired by contemporary abstract painters. The purpose of this exercise is to be able to lean on, and learn from the composition of the masterwork, while exploring …
Casey Klahn
“The Colorist” Casey Klahn is an American pastel artist born in 1958 in Hoquiam, Washington, now living in Davenport. His pastel landscapes are abstracted shapes where color gets to play.
Day 25: How to do Everything #30SAL
Today’s SEQUENCE challenge: Create an instructional that no one will ever need. #howtodoeverything Post it To be eligible for prizes (yes prizes!) at the end of the month, post your work to Instagram with #30sal and #howtodoeverything so we can find your post. To find more followers for your page, you can cut/paste these to your post: #30sal #howtodoeverything #mansplain …