[image_with_animation image_url=”7749″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Make ink blots by applying paint, ink, ketchup (or anything else around) in a random pattern, then immediately folding and pressing the paper in half. Open the paper back up, and tell us what you see. Share photographs of your Rorschachs and what you see in them (and in others’) to this post on our Facebook page. (#salchallenge)
The January Creative Challenge: 15 minutes, once a day, for 30 days.
[image_with_animation image_url=”14063″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] There was so much interesting material produced in day one of this two day workshop “Portraiture After Photography” I wanted to share it. The morning slideshow focused on photography as a tool for abstraction, launching from an in depth look at multi exposure photographs taken by John Deakin and …
I’ve been talking about the the idea that shapes in a composition can be activated to hold each other in place. In this way, there is no background and no object, there is only the interaction of shapes on the surface of the canvas. Everything in the picture holds everything else in place. Intervals I’d …
Last quarter Keith Pfeiffer and I taught a series on color. As promised, this was not a typical color theory class. Here are a few of my favorite student works from one of my favorite exercises. These paintings are made with compressed values, and some are entirely all one light/dark value. Some of them are …
Today, after skittering around with tasks, I was able to attend Fran’s Giant Figures Workshop, held in the spacious light-filled Drawing and Painting Studios at the Seattle Artist League. Years ago, when Lendy and I looked at this big Equinox warehouse space, we had NYSS style drawing intensives like this in mind, so it was …
SAL Challenge Day 20: Rorschach
[image_with_animation image_url=”7749″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Make ink blots by applying paint, ink, ketchup (or anything else around) in a random pattern, then immediately folding and pressing the paper in half. Open the paper back up, and tell us what you see. Share photographs of your Rorschachs and what you see in them (and in others’) to this post on our Facebook page. (#salchallenge)
The January Creative Challenge: 15 minutes, once a day, for 30 days.
Related Posts
Sketches from Portraiture after Photography
[image_with_animation image_url=”14063″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] There was so much interesting material produced in day one of this two day workshop “Portraiture After Photography” I wanted to share it. The morning slideshow focused on photography as a tool for abstraction, launching from an in depth look at multi exposure photographs taken by John Deakin and …
Sargy Mann: finding your way blind from point to point
I’ve been talking about the the idea that shapes in a composition can be activated to hold each other in place. In this way, there is no background and no object, there is only the interaction of shapes on the surface of the canvas. Everything in the picture holds everything else in place. Intervals I’d …
Faves from Color Class: Compressed Values
Last quarter Keith Pfeiffer and I taught a series on color. As promised, this was not a typical color theory class. Here are a few of my favorite student works from one of my favorite exercises. These paintings are made with compressed values, and some are entirely all one light/dark value. Some of them are …
Fran O’Neill’s Giant Figures Workshop, Day 1
Today, after skittering around with tasks, I was able to attend Fran’s Giant Figures Workshop, held in the spacious light-filled Drawing and Painting Studios at the Seattle Artist League. Years ago, when Lendy and I looked at this big Equinox warehouse space, we had NYSS style drawing intensives like this in mind, so it was …