[image_with_animation image_url=”7636″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Anni Albers (1899–1994) was a textile artist, designer, and printmaker. You likely know of her husband Joseph Albers, the colorist. No doubt the two inspired each other. I recently ran into a book of Anni’s sketches, each page a sheet of graph paper with a different pattern idea. Most were drawn with pencil, lots of erasing and redrawing. Some were emphasized with color. The plans are a lovely example of how limits (all moves fit within graph paper, or within warp/weft) can result in some brilliant creative responses. Her sketches are quite delightful. Take a closer look at them, and notice how some are not completely regular, but instead have within them little rules, gently broken. A pattern set, and deviated. She reminds me that a pattern does not have to be uniform and consistent. A little change in direction here and there makes it interesting, less rigid. (In a way, these patterns remind me of Patty Haller’s patterns, variations on a theme.) For today’s challenge, make a pattern. Feel free to weave, photo, collage, print, paint, or draw. If you need to print out a piece of graph paper, click here. Take a picture of your piece and add it to this post on our Facebook page. Tag: #salchallenge
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The January Creative Challenge: 15 minutes, once a day, for 30 days.
Teaching an online class with the League this fall: Jonathan Harkham. Jonathan is another professional artist/instructor we found at the New York Studio School where he is an alumni and instructor. Currently under quarantine in his LA studio, Jonathan has shifted his attention from painting friends and live models to painting a series of 80’s …
[image_with_animation image_url=”9888″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Wordsmith Studio Found poems are the literary equivalent of a collage, often made from newspaper articles, street signs, graffiti, speeches, letters, books, online texts (v-notes?), or even other poems. For today’s challenge, take an existing text and refashion it, reorder it, to make a poem. Thank you for sharing your …
In a recent V. Note I talked about how artists study works by other artists. Transcriptions are like artist’s notes, recording selected aspects and observations in an artwork. Sometimes they serve as a jumping off point for artwork in completely new direction. Transcriptions are not copies. For a commission, Frank Auerbach transcribed Titian’s ‘Tarquin and …
SAL Challenge Day 9: Pattern
[image_with_animation image_url=”7636″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Anni Albers (1899–1994) was a textile artist, designer, and printmaker. You likely know of her husband Joseph Albers, the colorist. No doubt the two inspired each other. I recently ran into a book of Anni’s sketches, each page a sheet of graph paper with a different pattern idea. Most were drawn with pencil, lots of erasing and redrawing. Some were emphasized with color. The plans are a lovely example of how limits (all moves fit within graph paper, or within warp/weft) can result in some brilliant creative responses. Her sketches are quite delightful. Take a closer look at them, and notice how some are not completely regular, but instead have within them little rules, gently broken. A pattern set, and deviated. She reminds me that a pattern does not have to be uniform and consistent. A little change in direction here and there makes it interesting, less rigid. (In a way, these patterns remind me of Patty Haller’s patterns, variations on a theme.) For today’s challenge, make a pattern. Feel free to weave, photo, collage, print, paint, or draw. If you need to print out a piece of graph paper, click here. Take a picture of your piece and add it to this post on our Facebook page. Tag: #salchallenge
The January Creative Challenge: 15 minutes, once a day, for 30 days.
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Coming to the League: Jonathan Harkham
Teaching an online class with the League this fall: Jonathan Harkham. Jonathan is another professional artist/instructor we found at the New York Studio School where he is an alumni and instructor. Currently under quarantine in his LA studio, Jonathan has shifted his attention from painting friends and live models to painting a series of 80’s …
Auerbach’s study of ‘Bacchus and Ariadne’
What do you think? Did he get it?
SAL Challenge: Found Poem
[image_with_animation image_url=”9888″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Wordsmith Studio Found poems are the literary equivalent of a collage, often made from newspaper articles, street signs, graffiti, speeches, letters, books, online texts (v-notes?), or even other poems. For today’s challenge, take an existing text and refashion it, reorder it, to make a poem. Thank you for sharing your …
Auerbach’s Transcriptions after Titian
In a recent V. Note I talked about how artists study works by other artists. Transcriptions are like artist’s notes, recording selected aspects and observations in an artwork. Sometimes they serve as a jumping off point for artwork in completely new direction. Transcriptions are not copies. For a commission, Frank Auerbach transcribed Titian’s ‘Tarquin and …