A trace monotype is made by laying paper down on an inked piece of plexiglass, then drawing a design on the back of the paper. The drawing tool presses the paper against the ink, making a dark line on the front of the paper. There’s often a smudgy look made by fingerprints, and a shadowy look around the line as the pressure, and therefore the amount of ink, fades away from the line.
Trace monotypes can easily be combined with other forms of painting, drawing, and printmaking for a variety of marks and expressions.
Untitled (Radar)
Hedda Sterne
American, 1910 – 2011
Untitled (Radar), from the series Machines, ca. 1949
Trace monotype on paper
Sheet: 45.7 x 30.4 cm (18 x 11 15/16 inches)
A selection from Keith Pfeiffer’s Tone Class Seven months ago, during our summer in quarantine, eleven League artists set aside their colors and practiced just with light and dark tones. Here are a few of their studies. This is one in a series of posts showcasing a selection of artwork made by League artists during …
Yesterday I talked about how Carlos San Millan paints the effect of light so beautifully, and posted work by a painter he recommended: Emil Joseph Robinson. Today I’d like to make some points about one of his paintings, and how he has applied ideas of contrast to paint the effects of light. Take a look …
In the late 1940s, several prominent artists of the New York School– including Robert Rauschenberg, Ad Reinhardt, Mark Rothko and Frank Stella–were intently studying the color black. That work, interrelated but not collaborative, resulted in 20 years of black: textured black, striped black, blue-black, brown-black, black-black, blackish, and blackity-black-black paintings. With a Google image search, …
Recently I posted about our family of New York Studio School influences, and Tina Kraft. I found a few more drawings that show aspects of a process that changed the way I draw. These portrait sketches by Tina Kraft demonstrate a technique of using marks to activate the white paper. The marks are both in …
Hedda Sterne, Trace Monotypes
A trace monotype is made by laying paper down on an inked piece of plexiglass, then drawing a design on the back of the paper. The drawing tool presses the paper against the ink, making a dark line on the front of the paper. There’s often a smudgy look made by fingerprints, and a shadowy look around the line as the pressure, and therefore the amount of ink, fades away from the line.
Trace monotypes can easily be combined with other forms of painting, drawing, and printmaking for a variety of marks and expressions.
Untitled (Radar)
Hedda Sterne
American, 1910 – 2011
Untitled (Radar), from the series Machines, ca. 1949
Trace monotype on paper
Sheet: 45.7 x 30.4 cm (18 x 11 15/16 inches)
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