Not all sections of a surface are equal. Movement, space, and placement can be used to suggest time. Within the composition we can infer a sequence, a past, and a future. In part, this is due to how we read. Generally, we read top to bottom, and left to right. Within a scene in a painting we often interpret things happening at the top or left side as beginning, and as they move towards the lower and the right side, they are perceived as ending. Things happening in the lower right side tend to be perceived as happening later in time. Spacing and placement can also can suggest how much future or past there is outside of the immediate scene of the painting. This isn’t true for all paintings, but it does happen in some, and you can use it in yours.
For example, the painting Christina’s World by Wyeth suggests a moment of time in the subject’s future. We connect the figure (left) to the house (right), and the tension is in the suggested attempted movement from the figure through the blank space, as the figure pulls towards the house.
In the painting below by Harry Franklin Waltman, the action has mostly already happened (represented by the figure on the left), and the figure on the right is at his end. Both Christina and the fencer are in peril, but Christina, the figure on the left side, will extend into prolonged suffering, while the fencer, the figure on the right edge of the canvas, suggests the story is at its end.
Christians often depict Jesus as coming into their own culture, in their present time. The Italians, whose visual language was predominant during the Middle Ages and Renaissance, featured an Italian Jesus in Renaissance times, and they did it so often and so well that when you think “Nativity,” you probably think of the church art …
Day 10 of this 30 Day Challenge was to create something in the style of Morandi’s still lives. This particular prompt produced a prolific collection of quiet responses. Here are some.
The Dutch artist Rembrandt van Rijn created nearly one hundred self portraits during his 63 years of life. Roughly 40 of these self portraits were oil paintings. The rest were drawings and etchings. This was, and is, a fairly unusual number of self portraits for an artist without a smartphone. He might have made self portraits to practice rendering …
Excerpt from Mitchell Albala’s Book: Simplification and Massing The ability to simplify means to eliminate the unnecessary so that the necessary may speak. – Hans Hoffman At a recent workshop, several students pointed to a cottonwood tree that was gently swaying in the breeze. “How are we going to paint all those leaves?” they asked. …
Left vs Right: sense of time in composition
Not all sections of a surface are equal. Movement, space, and placement can be used to suggest time. Within the composition we can infer a sequence, a past, and a future. In part, this is due to how we read. Generally, we read top to bottom, and left to right. Within a scene in a painting we often interpret things happening at the top or left side as beginning, and as they move towards the lower and the right side, they are perceived as ending. Things happening in the lower right side tend to be perceived as happening later in time. Spacing and placement can also can suggest how much future or past there is outside of the immediate scene of the painting. This isn’t true for all paintings, but it does happen in some, and you can use it in yours.
For example, the painting Christina’s World by Wyeth suggests a moment of time in the subject’s future. We connect the figure (left) to the house (right), and the tension is in the suggested attempted movement from the figure through the blank space, as the figure pulls towards the house.
In the painting below by Harry Franklin Waltman, the action has mostly already happened (represented by the figure on the left), and the figure on the right is at his end. Both Christina and the fencer are in peril, but Christina, the figure on the left side, will extend into prolonged suffering, while the fencer, the figure on the right edge of the canvas, suggests the story is at its end.
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Nativity Paintings from around the World
Christians often depict Jesus as coming into their own culture, in their present time. The Italians, whose visual language was predominant during the Middle Ages and Renaissance, featured an Italian Jesus in Renaissance times, and they did it so often and so well that when you think “Nativity,” you probably think of the church art …
#30SAL Faves: Morandi
Day 10 of this 30 Day Challenge was to create something in the style of Morandi’s still lives. This particular prompt produced a prolific collection of quiet responses. Here are some.
Rembrandt’s Self Portrait Drawings
The Dutch artist Rembrandt van Rijn created nearly one hundred self portraits during his 63 years of life. Roughly 40 of these self portraits were oil paintings. The rest were drawings and etchings. This was, and is, a fairly unusual number of self portraits for an artist without a smartphone. He might have made self portraits to practice rendering …
Mitchell Albala: Simplification and Massing
Excerpt from Mitchell Albala’s Book: Simplification and Massing The ability to simplify means to eliminate the unnecessary so that the necessary may speak. – Hans Hoffman At a recent workshop, several students pointed to a cottonwood tree that was gently swaying in the breeze. “How are we going to paint all those leaves?” they asked. …