Thank you to Claire Putney for introducing us to the work of Matthew Cusick. [image_with_animation image_url=”5955″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”]
Matthew Cusick
“Cusick uses atlases for his powerful collages, uniting pieces of the landscape that are actually quite far apart to create his own new world. Armed with scissors and a craft knife, the artist playfully rearranges the fundamental organization of modern society.” – Claire Putney [image_with_animation image_url=”5952″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] “Maps provided so much potential, so many layers. I put away my brushes and decided to see where the maps would take me.” – Matthew Cusick [image_with_animation image_url=”5954″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] “I think collage is a medium perfectly suited to the complexities of our time. It speaks to a society that is over-saturated with disparate visual information. It attempts to put order to the clutter and to make something permanent from the waste of the temporary. A collage is a time capsule; it preserves the ephemera of the past. It reconstitutes things that have been discarded. A collage must rely on a kind of alchemy; it must combine ordinary elements into something extraordinary.” – Cusick
[image_with_animation image_url=”10969″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Best print of the day: Katy’s Aurora Bridge and Connie’s Octopus combined Steamroller Moments: Nikki (printmaking instructor and lead for the day) telling Nickie (certified heavy equipment operator) where to aim the steamroller to get the maximum out of the press. Nikki and Nickie nailed it to the quarter …
[image_with_animation image_url=”7035″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] I prefer a perfect sheet of Rives BFK, baptized in a bath of holy water and dabbed by angels wings, printed with hesitant optimism and an aneurysm when an imperfection emerges, but William Kentridge, he throws it down. That man can work the paper. Torn pieces, inked, and carefully …
This is the second in a three-part series on Scott McClellan, head of ceramics at the Seattle Artist League. While the first explored the weighted forms and grounded presence of his pots, this post moves into the logic behind the motion—how McClellan builds structure from chaos, makes space for noise, and turns repetition into a …
Take a class with SAL – anywhere! Happy Thanksgiving everyone! Today I give you artworks that feature the Thanksgiving-ish color orange. My intention was to post a few, but once I started to collect a few, I saw orange in artworks everywhere! As this post grew, my shifting goals for organization and style became increasingly …
Matthew Cusick’s Inlaid Maps
Thank you to Claire Putney for introducing us to the work of Matthew Cusick. [image_with_animation image_url=”5955″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”]
Matthew Cusick
“Cusick uses atlases for his powerful collages, uniting pieces of the landscape that are actually quite far apart to create his own new world. Armed with scissors and a craft knife, the artist playfully rearranges the fundamental organization of modern society.” – Claire Putney [image_with_animation image_url=”5952″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] “Maps provided so much potential, so many layers. I put away my brushes and decided to see where the maps would take me.” – Matthew Cusick [image_with_animation image_url=”5954″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] “I think collage is a medium perfectly suited to the complexities of our time. It speaks to a society that is over-saturated with disparate visual information. It attempts to put order to the clutter and to make something permanent from the waste of the temporary. A collage is a time capsule; it preserves the ephemera of the past. It reconstitutes things that have been discarded. A collage must rely on a kind of alchemy; it must combine ordinary elements into something extraordinary.” – Cusick
Related Posts
Keepsakes from the Steamroller Printmaking Party
[image_with_animation image_url=”10969″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Best print of the day: Katy’s Aurora Bridge and Connie’s Octopus combined Steamroller Moments: Nikki (printmaking instructor and lead for the day) telling Nickie (certified heavy equipment operator) where to aim the steamroller to get the maximum out of the press. Nikki and Nickie nailed it to the quarter …
William Kentridge Prints
[image_with_animation image_url=”7035″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] I prefer a perfect sheet of Rives BFK, baptized in a bath of holy water and dabbed by angels wings, printed with hesitant optimism and an aneurysm when an imperfection emerges, but William Kentridge, he throws it down. That man can work the paper. Torn pieces, inked, and carefully …
Scott McClellan: Cut, Crash, Repeat
This is the second in a three-part series on Scott McClellan, head of ceramics at the Seattle Artist League. While the first explored the weighted forms and grounded presence of his pots, this post moves into the logic behind the motion—how McClellan builds structure from chaos, makes space for noise, and turns repetition into a …
100 Orange Artworks
Take a class with SAL – anywhere! Happy Thanksgiving everyone! Today I give you artworks that feature the Thanksgiving-ish color orange. My intention was to post a few, but once I started to collect a few, I saw orange in artworks everywhere! As this post grew, my shifting goals for organization and style became increasingly …