Pricing Artwork Money stuff is really really really hard for me. Putting a financial value on art is weird, and if I were to leave it up to my heart to guide me I’d be wearing burlap and sitting on the street corner. So I don’t leave it up to my heart. I apply a …
Take a class with SAL – anywhere! In previous V. Notes, I’ve posted work by our sumi instructor Angie Dixon, Huang Yongyu, Pan Gongkai, and stuff you didn’t know about sumi. Today I wanted to broaden my view of sumi painting. I wanted to see more works that are being created in the medium today. …
I met Keith Pfeiffer in one of the last classes I taught in person, before the quarantine. The class was on color and light. We practiced producing a sensation of light by replacing white with color (above), how to get vibration from complementary hues, vibrant vs neutral effects, and how to dim or compress the …
Pictured above: Patty Haller’s mother in the Smith & Vallee Gallery Patty Haller was invited to use the front studio space at the Seattle Artist League so she could prepare several large panels, including a 12′ painting for her January show “Growth Patterns” at the Smith & Vallee Gallery. Haller spent the fall and winter at the …
Painters named Alex
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Pricing Artwork Money stuff is really really really hard for me. Putting a financial value on art is weird, and if I were to leave it up to my heart to guide me I’d be wearing burlap and sitting on the street corner. So I don’t leave it up to my heart. I apply a …
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Take a class with SAL – anywhere! In previous V. Notes, I’ve posted work by our sumi instructor Angie Dixon, Huang Yongyu, Pan Gongkai, and stuff you didn’t know about sumi. Today I wanted to broaden my view of sumi painting. I wanted to see more works that are being created in the medium today. …
March to March; Keith Pfeiffer’s Quarantine Posts
I met Keith Pfeiffer in one of the last classes I taught in person, before the quarantine. The class was on color and light. We practiced producing a sensation of light by replacing white with color (above), how to get vibration from complementary hues, vibrant vs neutral effects, and how to dim or compress the …
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Pictured above: Patty Haller’s mother in the Smith & Vallee Gallery Patty Haller was invited to use the front studio space at the Seattle Artist League so she could prepare several large panels, including a 12′ painting for her January show “Growth Patterns” at the Smith & Vallee Gallery. Haller spent the fall and winter at the …