When I schedule creative time with people who care about me, I’m far more likely to show up. I’m also more likely to enjoy myself.
Working on projects with people makes me happy. Honestly, this is news to me. I thought I had to be alone to make real art. That, evidently, has changed. Having people around, people who care about me, and people who also want to make stuff, it helps me focus.
Sharing studio with good quality people is dang good quality fun. Sometimes there is music, sometimes snacks. This week it got hot, and someone came in with watermelon. Occasionally the stressful world comes in the door with them, but soon everyone settles in, and becomes relaxed and happy. It usually takes a little while – about 20 minutes of friendly chatter. Then, one by one, each person’s attention turns to their project, and the chatter turns to rustling. That’s about the time Lendy catches me deeply engrossed in scribbles, my tongue sticking out like a little kid’s, and I realize I haven’t heard a word anyone has said for…. how long was I gone?
Shared experiences, the moments when I get to say “Hey look what this ink did!” or “How the heck do I do this?” or “Look! I made a thing!” and friends look up and say “That’s fabulous!” – those shared experiences, they feel good, and they build camaraderie.
When I have a creative date with people, I show up.I catch the infectiousness of their interests. I try things I wouldn’t otherwise had tried. I make stuff. When I don’t, well – you’ll likely find me on the computer again, or doing things that are supposedly important, but really could wait another day.
So I’ve learned to schedule my creative time with classes. The set studio times secure my creative dedication on the calendar. Surrounded by other people who make stuff, I am constantly expanding, and sharing experiences with a growing community of people who care about me. I feel focused, honed, and connected. Art classes make me happy.
Siobhan Wilder, a founding member of the Seattle Artist League in 2016, has been honing her painting skills in my classes since 2015. This quarter, she steps into the role of an accomplished artist, teaching drawing, painting, and critique with us. The League is dedicated to fostering the development of each artist’s unique voice. Wilder …
[image_with_animation image_url=”8901″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Last night’s Big League Show was a Big League success, due to the generous contributions of many. There were 198 artworks from 70 artists, and we estimate 150 people attended the reception. The quality of the work was excellent, widely varied in style and content, and incredibly interesting. There …
[image_with_animation image_url=”7909″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Suzanne Saroff Set up a backdrop (to minimize visual clutter), and place an object or objects behind water glasses so that they form an interesting composition. Adjust lighting as needed, move things around for maximum effect, and crop for composition. Feel free to submit your work in the form …
Once we miss a few in a row, many of us find it more difficult to pick a goal back up again. If this is you, don’t worry about anything you missed in the past, and don’t worry about what you might not be able to do in the future. See if you can doodle …
This is what happens when I don’t take art classes
You know this already:
When I don’t schedule creative time, I lose it.
But you might not know this:
When I schedule creative time with people who care about me, I’m far more likely to show up. I’m also more likely to enjoy myself.
Working on projects with people makes me happy. Honestly, this is news to me. I thought I had to be alone to make real art. That, evidently, has changed. Having people around, people who care about me, and people who also want to make stuff, it helps me focus.
Sharing studio with good quality people is dang good quality fun. Sometimes there is music, sometimes snacks. This week it got hot, and someone came in with watermelon. Occasionally the stressful world comes in the door with them, but soon everyone settles in, and becomes relaxed and happy. It usually takes a little while – about 20 minutes of friendly chatter. Then, one by one, each person’s attention turns to their project, and the chatter turns to rustling. That’s about the time Lendy catches me deeply engrossed in scribbles, my tongue sticking out like a little kid’s, and I realize I haven’t heard a word anyone has said for…. how long was I gone?
Shared experiences, the moments when I get to say “Hey look what this ink did!” or “How the heck do I do this?” or “Look! I made a thing!” and friends look up and say “That’s fabulous!” – those shared experiences, they feel good, and they build camaraderie.
When I have a creative date with people, I show up. I catch the infectiousness of their interests. I try things I wouldn’t otherwise had tried. I make stuff. When I don’t, well – you’ll likely find me on the computer again, or doing things that are supposedly important, but really could wait another day.
So I’ve learned to schedule my creative time with classes. The set studio times secure my creative dedication on the calendar. Surrounded by other people who make stuff, I am constantly expanding, and sharing experiences with a growing community of people who care about me. I feel focused, honed, and connected. Art classes make me happy.
Hey look, fall classes are up. Come join us!
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