Meet Britain’s most straight-talking and foul-mouthed artist, Maggi Hambling
Busy days – sunny days – I can’t stand to sit here for long thoughts. Here’s a quickie video (below) from a new favorite of mine: Maggi Hambling. More about her tomorrow. Enjoy!
[nectar_video_lightbox link_style=”play_button_2″ nectar_play_button_color=”Default-Accent-Color” image_url=”6012″ hover_effect=”defaut” box_shadow=”none” video_url=”https://www.youtube.com/watch?v=vNpvS-DYEmA Painter and sculptor Maggi Hambling CBE sounds like a typical member of the arts establishment, but she has been a controversial figure for much of her professional life. Her public sculptures dedicated to Benjamin Britten and Oscar Wilde attracted as much criticism as praise, and here she talks about her beginnings as an artist and how she approaches the creative process. (3 minutes)
Hatching (making parallel marks) and crosshatching (making parallel marks overlapped with parallel marks) are some of the most valuable tools for adding value, contour, movement, energy, and texture to a drawing. For materials, a sharp pencil or pen on smooth paper works great. Old fashioned pen and ink is made for this. If you’re new …
To the doctors and nurses on the frontlines, and to the essential workers such as grocery store cashiers, mail carriers, social workers, bus drivers, and many, many others who have been showing up for us day after never ending day through this draining pandemic, thank you.
[image_with_animation image_url=”8555″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Yesterday I talked about Joseph Cornell, and how he didn’t consider himself an artist, but felt he was a collector, and a maker of things. I like to think sometimes I make things. Contrary to my website, I avoid calling myself an artist. Doing so can be validating, but …
In most dynamic compositions, the artist uses contrast and diagonal or serpentine pathways to lead the viewer in and around the painting. Morandi did the opposite with his still lifes. He grouped similar dust covered objects together to become one object instead of several interacting objects. He minimized differences to create a sense of quiet …
Maggi Hambling
Meet Britain’s most straight-talking and foul-mouthed artist, Maggi Hambling
Busy days – sunny days – I can’t stand to sit here for long thoughts. Here’s a quickie video (below) from a new favorite of mine: Maggi Hambling. More about her tomorrow. Enjoy!
[nectar_video_lightbox link_style=”play_button_2″ nectar_play_button_color=”Default-Accent-Color” image_url=”6012″ hover_effect=”defaut” box_shadow=”none” video_url=”https://www.youtube.com/watch?v=vNpvS-DYEmA Painter and sculptor Maggi Hambling CBE sounds like a typical member of the arts establishment, but she has been a controversial figure for much of her professional life. Her public sculptures dedicated to Benjamin Britten and Oscar Wilde attracted as much criticism as praise, and here she talks about her beginnings as an artist and how she approaches the creative process. (3 minutes)
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Hatching (making parallel marks) and crosshatching (making parallel marks overlapped with parallel marks) are some of the most valuable tools for adding value, contour, movement, energy, and texture to a drawing. For materials, a sharp pencil or pen on smooth paper works great. Old fashioned pen and ink is made for this. If you’re new …
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[image_with_animation image_url=”8555″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Yesterday I talked about Joseph Cornell, and how he didn’t consider himself an artist, but felt he was a collector, and a maker of things. I like to think sometimes I make things. Contrary to my website, I avoid calling myself an artist. Doing so can be validating, but …
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In most dynamic compositions, the artist uses contrast and diagonal or serpentine pathways to lead the viewer in and around the painting. Morandi did the opposite with his still lifes. He grouped similar dust covered objects together to become one object instead of several interacting objects. He minimized differences to create a sense of quiet …