[image_with_animation image_url=”6088″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Claire Putney’s layered drawings combine maps, charts, and diagrams with sewing, burning, cut paper, and ink washes.
From what I’ve seen of her work so far, although she and I use different images and mediums, her process appears to be very similar to my own. She has a concept, she finds images to help her talk about that concept, she edits and combines the layers to develop her articulation, and she responds to moments as her purposeful choices invite unexpected effects. Through repeated rounds of plans, expansions and careful editing, her products become beautifully honed, relevant, and thoughtful.
In the fall she returns to teach photography at the community college, but in the summer, she’s our “Alternative Drawing” teacher. We’re lucky to have her.
[image_with_animation image_url=”11320″ alignment=”” animation=”Fade In” box_shadow=”none” max_width=”100%”] Belinda Del Pesco, drypoint of someone making a drypoint Drypoint, a rather scratchy nails-on-chalboard kind of word, is a printmaking technique in which an image is incised into a plate with a pointy thing. I’ll get into more academic V.cabulary about this later, but for now I’m just …
Yesterday I said our farthest artist in the 30SAL Challenge might be Jennifer Econopouly in Bali. Then I received this note from Rachel Stockley: “I think you’ll find New Zealand at 11,613 trumps Bali for distance participation!” According to Google, it is 8,134 miles to Bali and 7,216 miles to New Zealand, so Jennifer is still …
This is the beginning of a collection: examples of painted grass. When I paint grass I usually start with large shapes first, light swathes of masses break the canvas into smaller segments. I use a rag sometimes to form the first shapes, then a bristle brush so the bristles scrape away the paint as much as …
Claire Putney
[image_with_animation image_url=”6088″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Claire Putney’s layered drawings combine maps, charts, and diagrams with sewing, burning, cut paper, and ink washes.
From what I’ve seen of her work so far, although she and I use different images and mediums, her process appears to be very similar to my own. She has a concept, she finds images to help her talk about that concept, she edits and combines the layers to develop her articulation, and she responds to moments as her purposeful choices invite unexpected effects. Through repeated rounds of plans, expansions and careful editing, her products become beautifully honed, relevant, and thoughtful.
In the fall she returns to teach photography at the community college, but in the summer, she’s our “Alternative Drawing” teacher. We’re lucky to have her.
Related Posts
Reading About Drypoints of People Reading
[image_with_animation image_url=”11320″ alignment=”” animation=”Fade In” box_shadow=”none” max_width=”100%”] Belinda Del Pesco, drypoint of someone making a drypoint Drypoint, a rather scratchy nails-on-chalboard kind of word, is a printmaking technique in which an image is incised into a plate with a pointy thing. I’ll get into more academic V.cabulary about this later, but for now I’m just …
Sunday Comic: Great sh*t Ruthie says
I invited some students to draw Seattle Artist League comics. Here’s one taken straight from class.
30SAL Challenge: 8,134 miles and 21 cats
Yesterday I said our farthest artist in the 30SAL Challenge might be Jennifer Econopouly in Bali. Then I received this note from Rachel Stockley: “I think you’ll find New Zealand at 11,613 trumps Bali for distance participation!” According to Google, it is 8,134 miles to Bali and 7,216 miles to New Zealand, so Jennifer is still …
Painting Grass
This is the beginning of a collection: examples of painted grass. When I paint grass I usually start with large shapes first, light swathes of masses break the canvas into smaller segments. I use a rag sometimes to form the first shapes, then a bristle brush so the bristles scrape away the paint as much as …