” load_in_animation=”none” img_size=”full Artsy:
Mel Bochner’s approach and materials constantly vary; in fact, the artist formally disavowed allegiance to a single material in his famous essay titled “the Medium and the Tedium” (2010). Bochner—who has produced paintings, installations, and photography—is noted to be one of the most influential pioneers of Conceptual art, and the organizer of the first Conceptual art exhibition in 1966. A recurring theme in Bochner’s work is the relationship between language and physical space or color. This is famously demonstrated in his “Measurement” installations of the late 1960s, visualizing the exact dimensions of rooms and exhibition spaces, and thesaurus-inspired paintings of a single word and its synonyms. Bochner formally studied under Douglas Wilson and Wilfred Readio, though his eventual style would draw strong influence from the works of Clyfford Still and Jean Dubuffet. [image_with_animation image_url=”6254″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”]
Last Tuesday for our observational drawing I posted a challenge to draw your unmade beds. In return you posted exceptionally beautiful drawings, proof that lack of housekeeping makes for good art. Your drawings were so personal and beautifully rendered that decided to propose a similar measure of housekeeping for today’s challenge: laundry. Artist’s choice materials. …
[image_with_animation image_url=”10166″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Max Ernst “Painting is not for me either decorative amusement, or the plastic invention of felt reality; it must be every time: invention, discovery, revelation.” – Max Ernst Max Ernst used texture rubbings to overcome his fear of the white canvas, igniting his imagination. He often put paper to the worn …
I’ll be sharing my drawings on Facebook. I’d love for you to share yours too. Maybe we’ll get some people jumping in to join us. Post your pics on the Seattle Artist League‘s Facebook, or Instagram at SeattleArtLeague. #drawingaday #seattleartleague
Needle felting: the art of poking a ball of fluff until it becomes solid, or I get bored and walk away, likely the latter will happen first. The above statement could not be written with more ignorance. Truth is, I’ve never actually done needle felting, but I’m about to, and I tend to get anxious …
Humor in Art: Mel Bochner
[image_with_animation image_url=”6251″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”]
Mel Bochner
Funny painter who isn’t dead. American. Born 1940. Slightly significant. Blah blah blah blah blah blah blah poop blah blah blah pigeon blah blah blah blah blah blah blah blah blah poop blah blah blah pigeon blah blah blah blah blah blah blah blah blah poop blah blah blah thank you blah blah pigeon blah blah blah blah blah blah blah blah blah poop blah blah blah pigeon blah blah blah blah blah blah blah blah blah poop blah blah blah pigeon blah blah blah blah blah blah blah blah blah poop blah blah blah pigeon blah thank you blah blah blah blah blah blah blah blah boob blah blah blah pigeon blah blah blah blah blah blah blah blah blah poop blah blah blah pigeon blah blah blah blah blah blah blah blah blah poop blah blah blah pigeon blah blah blah.
Mel Bochner’s approach and materials constantly vary; in fact, the artist formally disavowed allegiance to a single material in his famous essay titled “the Medium and the Tedium” (2010). Bochner—who has produced paintings, installations, and photography—is noted to be one of the most influential pioneers of Conceptual art, and the organizer of the first Conceptual art exhibition in 1966. A recurring theme in Bochner’s work is the relationship between language and physical space or color. This is famously demonstrated in his “Measurement” installations of the late 1960s, visualizing the exact dimensions of rooms and exhibition spaces, and thesaurus-inspired paintings of a single word and its synonyms. Bochner formally studied under Douglas Wilson and Wilfred Readio, though his eventual style would draw strong influence from the works of Clyfford Still and Jean Dubuffet. [image_with_animation image_url=”6254″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”]
Related Posts
30SAL Challenge: Crumpled, Rumpled, or Neat
Last Tuesday for our observational drawing I posted a challenge to draw your unmade beds. In return you posted exceptionally beautiful drawings, proof that lack of housekeeping makes for good art. Your drawings were so personal and beautifully rendered that decided to propose a similar measure of housekeeping for today’s challenge: laundry. Artist’s choice materials. …
SAL Challenge: Frottage
[image_with_animation image_url=”10166″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Max Ernst “Painting is not for me either decorative amusement, or the plastic invention of felt reality; it must be every time: invention, discovery, revelation.” – Max Ernst Max Ernst used texture rubbings to overcome his fear of the white canvas, igniting his imagination. He often put paper to the worn …
Drawing A Day, Day 4
I’ll be sharing my drawings on Facebook. I’d love for you to share yours too. Maybe we’ll get some people jumping in to join us. Post your pics on the Seattle Artist League‘s Facebook, or Instagram at SeattleArtLeague. #drawingaday #seattleartleague
Felt Artist: Andrea Graham
Needle felting: the art of poking a ball of fluff until it becomes solid, or I get bored and walk away, likely the latter will happen first. The above statement could not be written with more ignorance. Truth is, I’ve never actually done needle felting, but I’m about to, and I tend to get anxious …