Wiki: Sara Rahbar (born in 1976 in Tehran, Iran) is a contemporary, mixed media artist based in New York City. Her work ranges from photography to sculpture to installation and often stems from her personal experiences and is largely autobiographical.
In 1982, Rahbar and her family fled Iran during the beginning of the Iranian Revolution which has left many traumatic memories that have influenced her work.
Rahbar studied at Fashion Institute of Technology from 1996 until 2000 and in 2004 she continued her education at Central Saint Martins College of Art and Design in London.
The first body of work that created international recognition for the artist was the Flag Series (2005–2016), in which traditional fabrics and objects are reworked as collages that form various incarnations of the American and Iranian flag, exploring ideas of national belonging, as well as the conflicting role of flags as symbols of ideological and nationalistic violence.
” load_in_animation=”none [nectar_btn size=”large” open_new_tab=”true” button_style=”regular” button_color_2=”Accent-Color” icon_family=”none” url=”https://theculturetrip.com/middle-east/iran/articles/confessions-and-catharsis-an-interview-with-sara-rahbar/” text=” Interview with Sara Rahbar by Rajesh Punj [image_with_animation image_url=”6300″ alignment=”” animation=”None” img_link_target=”_blank” box_shadow=”none” max_width=”100%” img_link=”https://www.youtube.com/watch?v=zHair5dvG0s
Fierce Women of Art | The Art Assignment | PBS Digital Studios (8 minutes)
In a quiet moment, take time to recall some memory that you find interesting or enjoyable. Perhaps this was a story told by your family, or some moment that formed an idea of yourself or someone around you. Maybe a photograph, smell or object will help bring back your recollection. As you sit, pull out …
“Sketchbooks are a place for experimentation, self reflection, technical practice, and developing an artistic identity,” says Keith Pfeiffer, official sketchbook class instructor. (To be cheeky, we called it Advanced Doodling.) I asked Keith what his favorite sketchbook was. Here is what he said: “My favorite sketchbook is Moleskine sketchbook 9×12. The paper is smooth enough for clean …
We’re doing a fun series of sketches in “Abstracting the Image” on Thursdays. Each week we’re taking a masterwork and exploring it with approaches inspired by contemporary abstract painters. The purpose of this exercise is to be able to lean on, and learn from the composition of the masterwork, while exploring a variety of ways …
1914-1955 Nicolas de Staël was a French painter of Russian origin known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles. After suffering from depression, in the wake of a disappointing meeting with a disparaging art critic on March 16, 1955 he committed …
Flags by Sara Rahbar
[image_with_animation image_url=”6299″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”]
Sara Rahbar
Wiki: Sara Rahbar (born in 1976 in Tehran, Iran) is a contemporary, mixed media artist based in New York City. Her work ranges from photography to sculpture to installation and often stems from her personal experiences and is largely autobiographical.
In 1982, Rahbar and her family fled Iran during the beginning of the Iranian Revolution which has left many traumatic memories that have influenced her work.
Rahbar studied at Fashion Institute of Technology from 1996 until 2000 and in 2004 she continued her education at Central Saint Martins College of Art and Design in London.
The first body of work that created international recognition for the artist was the Flag Series (2005–2016), in which traditional fabrics and objects are reworked as collages that form various incarnations of the American and Iranian flag, exploring ideas of national belonging, as well as the conflicting role of flags as symbols of ideological and nationalistic violence.
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“Sketchbooks are a place for experimentation, self reflection, technical practice, and developing an artistic identity,” says Keith Pfeiffer, official sketchbook class instructor. (To be cheeky, we called it Advanced Doodling.) I asked Keith what his favorite sketchbook was. Here is what he said: “My favorite sketchbook is Moleskine sketchbook 9×12. The paper is smooth enough for clean …
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We’re doing a fun series of sketches in “Abstracting the Image” on Thursdays. Each week we’re taking a masterwork and exploring it with approaches inspired by contemporary abstract painters. The purpose of this exercise is to be able to lean on, and learn from the composition of the masterwork, while exploring a variety of ways …
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