“I paint both abstractions and figurative works. I make no distinctions, because what I am thinking of is space, light, and form.” [image_with_animation image_url=”5766″ alignment=”” animation=”None”] “There is no subject, no object, only a single truth, which encompasses everything and exists in nothing. Earlier paintings involve bowls stacked up on other bowls that fill the canvas and exceed the edges. Everyone has a different bowl and the content of each is vastly different. For me, they make pleasing images. From the most realistic landscape to total abstraction, a work of art is an analogy or allusion to something else that can only be stated indirectly.”
Form, Repetition, Rhythm, and Pattern
We like to make connections. Repeating shapes within a composition can encourage the viewer’s continued engagement as they jump from similar shape to similar shape. Repetition can also create movement, and rhythm across the canvas. A shape repeated over and over can unify the whole. A shape repeated and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and creates pattern. Once a pattern, individual shapes can be lost again, engulfed in the whole, and sometimes as unnoticed as wall tiles.
Born on this day, September 2 1911, Romare Bearden was an African-American artist who worked with many types of media including cartoons, oils and collages. Read more about Bearden on Wiki.
Pastel artist. Specializes in tablecloths, ladies, and ladies on tablecloths. His work is very Matisse-like, but unlike Matisse, Boncompain is not yet dead. He creates most of his work in his Paris studio, with extended summers in Provence. Where else would he be? “Painting is the creation of silence” [image_with_animation image_url=”4759″ alignment=”” animation=”None[image_with_animation image_url=”4758″ alignment=”” …
[image_with_animation image_url=”11400″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Copper plate with grey ink (see print a few pics below) I met with Nikki today to get some schoolin’ on drypoint. Dypoint, the art of scratching a shiny surface with a pointy thing, seemed to me to be an easy form of printmaking because I can draw with …
Paul Manes
“I paint both abstractions and figurative works. I make no distinctions, because what I am thinking of is space, light, and form.” [image_with_animation image_url=”5766″ alignment=”” animation=”None”] “There is no subject, no object, only a single truth, which encompasses everything and exists in nothing. Earlier paintings involve bowls stacked up on other bowls that fill the canvas and exceed the edges. Everyone has a different bowl and the content of each is vastly different. For me, they make pleasing images. From the most realistic landscape to total abstraction, a work of art is an analogy or allusion to something else that can only be stated indirectly.”
Form, Repetition, Rhythm, and Pattern
We like to make connections. Repeating shapes within a composition can encourage the viewer’s continued engagement as they jump from similar shape to similar shape. Repetition can also create movement, and rhythm across the canvas. A shape repeated over and over can unify the whole. A shape repeated and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and creates pattern. Once a pattern, individual shapes can be lost again, engulfed in the whole, and sometimes as unnoticed as wall tiles.
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Romare Bearden
Born on this day, September 2 1911, Romare Bearden was an African-American artist who worked with many types of media including cartoons, oils and collages. Read more about Bearden on Wiki.
Pierre Boncompain
Pastel artist. Specializes in tablecloths, ladies, and ladies on tablecloths. His work is very Matisse-like, but unlike Matisse, Boncompain is not yet dead. He creates most of his work in his Paris studio, with extended summers in Provence. Where else would he be? “Painting is the creation of silence” [image_with_animation image_url=”4759″ alignment=”” animation=”None[image_with_animation image_url=”4758″ alignment=”” …
My first drypoint prints
[image_with_animation image_url=”11400″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Copper plate with grey ink (see print a few pics below) I met with Nikki today to get some schoolin’ on drypoint. Dypoint, the art of scratching a shiny surface with a pointy thing, seemed to me to be an easy form of printmaking because I can draw with …
Drawing A Day, Day 24
Apologies for the mistakes in numbered days. The headings (above) are correct. Sometimes the pictures (below) are alternate versions of correct.