I chose these sketches specifically to look at how vine charcoal can be used in a drawing to talk about change, movement and time.
Vine charcoal is a lovely medium. It’s just a simple burnt branch, and it allows the artist to make a line, smudge it out, and make another. The dark lyrical lines and soft smokey areas of grey are surprisingly elegant on paper. As the model moves, or as the drawing is adjusted, the series of smudges and lines can add both depth and creation narrative – the recorded story of how the drawing was made.
In recent V. Notes, I have shared some of Carlos San Millan’s favorite painters. So far I’ve posted Kim Frohsin, Mitchell Johnson, Yann Kebbi, Марина Цветаева (Marina Tsvetyeva), and Sangram Majumdar. Today I’m posting Bato Dugarzhapov. Bato is a Russian painter born in 1966. I had his work saved for a V. Note someday. Looks …
[image_with_animation image_url=”7824″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] The Unpostible Post Two days ago I encouraged you all to post your work to the website, in the comments section. I didn’t realize that our WordPress format doesn’t allow comments with pictures. Oops. Luckily Berkeley Parks sent in her collection (5 more days to go!). I was so …
If you have taken or taught a class at the Seattle Artist League in the last year, you are invited to submit up to three artworks to our online show. We can’t promise we’ll show every piece, but we will show at least one artwork per person. This show is about you as an artist, so you …
March 13, 2020 was the League’s first day in quarantine. March 20, 2020 was scheduled to be League artist Lucy Garnett’s ‘Notations’ show reception at Shoreline City Hall. It was half a lifetime of work, and the League-hosted celebration was canceled. Here’s a look back at one of her pieces that seems to have an …
Matisse Sketches
I chose these sketches specifically to look at how vine charcoal can be used in a drawing to talk about change, movement and time.
Vine charcoal is a lovely medium. It’s just a simple burnt branch, and it allows the artist to make a line, smudge it out, and make another. The dark lyrical lines and soft smokey areas of grey are surprisingly elegant on paper. As the model moves, or as the drawing is adjusted, the series of smudges and lines can add both depth and creation narrative – the recorded story of how the drawing was made.
Enjoy!
Related Posts
Bato Dugarzhapov
In recent V. Notes, I have shared some of Carlos San Millan’s favorite painters. So far I’ve posted Kim Frohsin, Mitchell Johnson, Yann Kebbi, Марина Цветаева (Marina Tsvetyeva), and Sangram Majumdar. Today I’m posting Bato Dugarzhapov. Bato is a Russian painter born in 1966. I had his work saved for a V. Note someday. Looks …
SAL Challenge: Work by Berkeley Parks
[image_with_animation image_url=”7824″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] The Unpostible Post Two days ago I encouraged you all to post your work to the website, in the comments section. I didn’t realize that our WordPress format doesn’t allow comments with pictures. Oops. Luckily Berkeley Parks sent in her collection (5 more days to go!). I was so …
CALL FOR ART: Online Anniversary Show
If you have taken or taught a class at the Seattle Artist League in the last year, you are invited to submit up to three artworks to our online show. We can’t promise we’ll show every piece, but we will show at least one artwork per person. This show is about you as an artist, so you …
Deprivation of Play
March 13, 2020 was the League’s first day in quarantine. March 20, 2020 was scheduled to be League artist Lucy Garnett’s ‘Notations’ show reception at Shoreline City Hall. It was half a lifetime of work, and the League-hosted celebration was canceled. Here’s a look back at one of her pieces that seems to have an …