I chose these sketches specifically to look at how vine charcoal can be used in a drawing to talk about change, movement and time.
Vine charcoal is a lovely medium. It’s just a simple burnt branch, and it allows the artist to make a line, smudge it out, and make another. The dark lyrical lines and soft smokey areas of grey are surprisingly elegant on paper. As the model moves, or as the drawing is adjusted, the series of smudges and lines can add both depth and creation narrative – the recorded story of how the drawing was made.
[image_with_animation image_url=”7724″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Piet Mondrian, 1912 Yesterday’s challenge was to draw a tree from observation. That was part 1 of 3. Today is part 2 of 3. Today we’ll do the same, only different. Look again at the tree. If you did a drawing, study your drawing. Look at the branches, how …
[image_with_animation image_url=”9495″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] This is the fourth part of a multi day series, sharing work by my beginning figure drawing classes. Many of these students have never taken a drawing class before, nearly all of them are new to figure drawing. Rather than learning one style, we study a different approach every …
Thank you to all the friends of banjo players who forwarded this post, and thank you to all the banjo players who contacted us. We have found our banjo player: Charlie Beck will be serenading our steamroller printmaking event. See you Saturday! Saturday, August 24th Event Location: Seattle Artist League 10219 Aurora Ave N We’re …
Matisse Sketches
I chose these sketches specifically to look at how vine charcoal can be used in a drawing to talk about change, movement and time.
Vine charcoal is a lovely medium. It’s just a simple burnt branch, and it allows the artist to make a line, smudge it out, and make another. The dark lyrical lines and soft smokey areas of grey are surprisingly elegant on paper. As the model moves, or as the drawing is adjusted, the series of smudges and lines can add both depth and creation narrative – the recorded story of how the drawing was made.
Enjoy!
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[image_with_animation image_url=”7724″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Piet Mondrian, 1912 Yesterday’s challenge was to draw a tree from observation. That was part 1 of 3. Today is part 2 of 3. Today we’ll do the same, only different. Look again at the tree. If you did a drawing, study your drawing. Look at the branches, how …
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Banjo Player Wanted
Thank you to all the friends of banjo players who forwarded this post, and thank you to all the banjo players who contacted us. We have found our banjo player: Charlie Beck will be serenading our steamroller printmaking event. See you Saturday! Saturday, August 24th Event Location: Seattle Artist League 10219 Aurora Ave N We’re …