1907-1997
Look how the grain of the wood became the courtyard gravel. I love when rather than making a material pretend to be something different, a material is a material, and just a little bit more. I have been looking at Kiyoshi’s woodblock prints. He was most famous for his “Winter in Aizu” series. Sorry for re-introducing winter just as we’ve finally flowered into spring! A bit dreary for the season, but I like them.
[image_with_animation image_url=”11565″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Her work looks to me like a modern Morandi. The composition is static, the colors are either quiet or repetitive and controlled, the objects are worn and common. The minimalist arrangements present the objects as flat abstracted forms. Notice the soft edges and surface detail. This painting is sitting …
This is the second of a series talking about my process of painting. How do I start, and how do I make decisions along the way? When, how and why I manipulate my source material, etc. In the next few days, I’m going to share everything from my process of idea creation to the prep, …
[image_with_animation image_url=”6088″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Claire Putney’s layered drawings combine maps, charts, and diagrams with sewing, burning, cut paper, and ink washes. From what I’ve seen of her work so far, although she and I use different images and mediums, her process appears to be very similar to my own. She has a concept, …
A brief visual history of political propaganda design. BY MARIA POPOVA Original post from BrainPickings The intersection of propaganda and creative culture has always been a centerpiece of political communication, from the branding of totalitarian regimes to the design legacy of the Works Progress Administration to Soviet animated propaganda. Now, from The Library of Congress …
Saitō Kiyoshi
1907-1997
Look how the grain of the wood became the courtyard gravel. I love when rather than making a material pretend to be something different, a material is a material, and just a little bit more. I have been looking at Kiyoshi’s woodblock prints. He was most famous for his “Winter in Aizu” series. Sorry for re-introducing winter just as we’ve finally flowered into spring! A bit dreary for the season, but I like them.
Related Posts
Jude Rae, Contemporary Still Life
[image_with_animation image_url=”11565″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Her work looks to me like a modern Morandi. The composition is static, the colors are either quiet or repetitive and controlled, the objects are worn and common. The minimalist arrangements present the objects as flat abstracted forms. Notice the soft edges and surface detail. This painting is sitting …
My Process: The Mental and Physical State of Painting
This is the second of a series talking about my process of painting. How do I start, and how do I make decisions along the way? When, how and why I manipulate my source material, etc. In the next few days, I’m going to share everything from my process of idea creation to the prep, …
Claire Putney
[image_with_animation image_url=”6088″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Claire Putney’s layered drawings combine maps, charts, and diagrams with sewing, burning, cut paper, and ink washes. From what I’ve seen of her work so far, although she and I use different images and mediums, her process appears to be very similar to my own. She has a concept, …
A Visual History of Presidential Campaign Posters: 200 Years of Election Art from the Library of Congress Archives
A brief visual history of political propaganda design. BY MARIA POPOVA Original post from BrainPickings The intersection of propaganda and creative culture has always been a centerpiece of political communication, from the branding of totalitarian regimes to the design legacy of the Works Progress Administration to Soviet animated propaganda. Now, from The Library of Congress …