“Say on a given morning, there are 100 people in the Louvre in Paris. If a wicked sorcerer threatened to vaporize all people in the museum or all of its art, sparing one or the other based on your plea, which would you save? Assume the sorcerer will obliterate both the people and the art if you don’t choose.”
Addition: My mother has informed me this is from a Zen Koan involving a priceless Ming vase and a duckling trapped inside. “Master, the duck is free.”
What do you think? We invite you to post your responses below. [divider line_type=”No Line” custom_height=”40[gallery ids=”5206,5214,5205,5202,5204″ onclick=”link_no
Aurore de la Morinerie began as a fashion designer in Paris. She then spent two years studying chinese calligraphy, and traveled in Japan, India, China, and Egypt. She says that through calligraphy she learned concentration, strength and rapidity of execution. She now illustrates for clients like Hermes and Le Monde, with a parallel career as a fine …
Welcome to Day 18 of this 30 Day Creative Challenge! Richard Tuttle made a series of playful abstract minimalist drawings. Sometimes there would be only a few small lines on the paper. What’s the most minimal drawing you can make and still have it be interesting to you? Try making a series and post your …
Every quarter I teach figure drawing on Sundays. No class is ever the same, which means that every artist gets to experience different ways to approach the figure. Each comes with a specific challenge that teaches a skill, and I hold the artists to that challenge, but individual styles are celebrated, as you’ll see in …
From Wikipedia: Utagawa Hiroshige (Japanese: 歌川 広重), also Andō Hiroshige (Japanese: 安藤 広重; 1797 – 12 October 1858), was a Japanese ukiyo-e artist, considered the last great master of that tradition. Hiroshige is best known for his landscapes, such as the series The Fifty-three Stations of the Tōkaidō and The Sixty-nine Stations of the Kiso Kaidō; …
Which Would You Save?
This week’s question is a variation of one from The Book of Questions, stolen boldly and without remorse from Wait But Why.
“Say on a given morning, there are 100 people in the Louvre in Paris. If a wicked sorcerer threatened to vaporize all people in the museum or all of its art, sparing one or the other based on your plea, which would you save? Assume the sorcerer will obliterate both the people and the art if you don’t choose.”
Addition: My mother has informed me this is from a Zen Koan involving a priceless Ming vase and a duckling trapped inside. “Master, the duck is free.”
What do you think? We invite you to post your responses below. [divider line_type=”No Line” custom_height=”40[gallery ids=”5206,5214,5205,5202,5204″ onclick=”link_no
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Aurore de la Morinerie
Aurore de la Morinerie began as a fashion designer in Paris. She then spent two years studying chinese calligraphy, and traveled in Japan, India, China, and Egypt. She says that through calligraphy she learned concentration, strength and rapidity of execution. She now illustrates for clients like Hermes and Le Monde, with a parallel career as a fine …
Day 18: Minimal lines #30SAL
Welcome to Day 18 of this 30 Day Creative Challenge! Richard Tuttle made a series of playful abstract minimalist drawings. Sometimes there would be only a few small lines on the paper. What’s the most minimal drawing you can make and still have it be interesting to you? Try making a series and post your …
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Every quarter I teach figure drawing on Sundays. No class is ever the same, which means that every artist gets to experience different ways to approach the figure. Each comes with a specific challenge that teaches a skill, and I hold the artists to that challenge, but individual styles are celebrated, as you’ll see in …
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From Wikipedia: Utagawa Hiroshige (Japanese: 歌川 広重), also Andō Hiroshige (Japanese: 安藤 広重; 1797 – 12 October 1858), was a Japanese ukiyo-e artist, considered the last great master of that tradition. Hiroshige is best known for his landscapes, such as the series The Fifty-three Stations of the Tōkaidō and The Sixty-nine Stations of the Kiso Kaidō; …