“Say on a given morning, there are 100 people in the Louvre in Paris. If a wicked sorcerer threatened to vaporize all people in the museum or all of its art, sparing one or the other based on your plea, which would you save? Assume the sorcerer will obliterate both the people and the art if you don’t choose.”
Addition: My mother has informed me this is from a Zen Koan involving a priceless Ming vase and a duckling trapped inside. “Master, the duck is free.”
What do you think? We invite you to post your responses below. [divider line_type=”No Line” custom_height=”40[gallery ids=”5206,5214,5205,5202,5204″ onclick=”link_no
Yesterday I posted my sketches; some fun ideas we are exploring in “Abstracting the Image” on Thursdays. Each week we’re taking a masterwork and exploring it with approaches inspired by contemporary abstract painters. The purpose of this exercise is to be able to lean on, and learn from the composition of the masterwork, while exploring …
In a recent V. Note I talked about how artists study works by other artists. Transcriptions are like artist’s notes, recording selected aspects and observations in an artwork. Sometimes they serve as a jumping off point for artwork in completely new direction. Transcriptions are not copies. For a commission, Frank Auerbach transcribed Titian’s ‘Tarquin and …
It has taken me some time to realize the artistic benefits of figure drawing online vs in the studio, but I’m getting it. Whereas large fluid physical gestures with movement and energy will likely wait until we are back in the studio, drawing online puts the model within a screen, and that screen is moveable. …
Which Would You Save?
This week’s question is a variation of one from The Book of Questions, stolen boldly and without remorse from Wait But Why.
“Say on a given morning, there are 100 people in the Louvre in Paris. If a wicked sorcerer threatened to vaporize all people in the museum or all of its art, sparing one or the other based on your plea, which would you save? Assume the sorcerer will obliterate both the people and the art if you don’t choose.”
Addition: My mother has informed me this is from a Zen Koan involving a priceless Ming vase and a duckling trapped inside. “Master, the duck is free.”
What do you think? We invite you to post your responses below. [divider line_type=”No Line” custom_height=”40[gallery ids=”5206,5214,5205,5202,5204″ onclick=”link_no
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In a recent V. Note I talked about how artists study works by other artists. Transcriptions are like artist’s notes, recording selected aspects and observations in an artwork. Sometimes they serve as a jumping off point for artwork in completely new direction. Transcriptions are not copies. For a commission, Frank Auerbach transcribed Titian’s ‘Tarquin and …
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It has taken me some time to realize the artistic benefits of figure drawing online vs in the studio, but I’m getting it. Whereas large fluid physical gestures with movement and energy will likely wait until we are back in the studio, drawing online puts the model within a screen, and that screen is moveable. …