Lately I have been interested in what happens to the focus of making art when artists live in politically turbulent times. What happens to your artwork when you feel anxious, confused, frustrated, angry, blindsided, and destabilized? What happens to your artwork when you feel like your opinion is valued, and what happens when you feel like you have to scream to be heard?
This is part of a series showcasing Muslim and Islamic artists.
Wikipedia:
Abed Abdi (Arabic: عبد عابدي, Hebrew: עבד עאבדי; born February 1942, Haifa, Mandate Palestine) is an Arab Israeli painter, graphic designer, sculptor and art lecturer.
Abdi worked as a blacksmith and illustrated Arabic publications that appeared in Israel. After studying in Dresden, Abdi became the first Palestinian to build monumental art on native soil. His allegorical monuments in Galilee, honoring human fortitude and resistance, include a narrative mural depicting Elijah’s defiance and survival and a bronze Land Day memorial.
Abdi held his first exhibition in Tel Aviv in 1962. He then pursued academic studies at the Fine Arts Academy in Dresden (Germany). His professors were L.Grundig, G. Bondzin and G. Kettner. His masterwork at the Academy received the 2nd prize, which allowed Abdi to spend another year at the Academy and specialize in murals and environmental sculpture. In 1972 he returned to Haifa, and worked as graphic designer for a number of Arabic language publications, taught arts and designed murals. The city of Haifa awarded Abdi the “Herman Struck Best Artist of the Year” Prize in 1973. That year, he also obtained the Young Artist’s award at the Berlin International Youth Festival. The city of Haifa awarded him the “Best Artist of the Year Hermann Struck” award for the second time in 1999.
Abed Abdi has erected a number of memorial monuments and murals: in 1976—a sculpture to commemorate Land Day; in 1984—the memorial to commemorate 75 years for the existence of the Galilean municipality of Shefa Amr. In addition, he has painted a number of murals in Haifa, Jaffa and Nazareth.
Abed Abdi has exhibited in Qatar, Israel, Belgium and Bulgaria. He has participated in over 45 group exhibitions, among them the joint Palestinian-Israeli exhibition “It’s possible” which toured the US and Germany between 1988 and 1990. In 1995 he participated in the second exhibition for Palestinians and Israelis in Germany. His work appeared in the “Solidarity with the Palestinian People” exhibit in Tokyo, Berlin, Brussels, Belgrade and Athens. He also organized and participated in exhibitions with Israeli and Palestinian artists in Tel-Aviv, Haifa and West Jerusalem in the period between 1980 and 1987 defending the freedom of expression and creativity.
Abdi is an active member of the Haifa branch of the Israeli Association of Painters and Sculptures, as well as the Jewish-Arab Center of Beit Hagefen. This has enabled him to unite Palestinian and Israeli artists, and organize joint exhibitions, bringing the prospects of peace closer. Abdi founded the Ibda’ society for the promotion of visual arts in the Arab Israeli sector and Ara belle – Visual Arts Workshop in Haifa, for the promotion of the visual arts and intercultural dialogue through the arts. Abdi is president of Al Midan Theater in Haifa. He has been teaching fine arts in the Arab Pedagogical College in Haifa since 1985.
I’m in Portland, taking a 3-day figure drawing intensive with Fran O’Neill. Saturday was Day 2 of my intensive, and though about mid-day I was cranky, I ended the day on a high. I did not want to stop. I learned a new way of drawing. Isn’t it thrilling that I can draw for so many years, …
The article below has some good stuff, but it also misses some of my personal favorite points about how European artists were effected by Japanese art. In the mid/late 1800’s, European art was based on stodgy old realism, and Japanese artists had the crazy idea of using their imagination. In these Japanese prints, proportions are changed, angles are shifted, and …
Charity Lynn Baker is an artist living and working in New York. She’s been drawing a lot lately. Her dream-like narrative scenes sometimes remind me of Marc Chagall’s, only Charity’s are more grounded. Formally trained in architecture, when asked about her compositions, she remarked that she likes humans and she likes geometry. Her drawings are …
Abed Abdi
Abed Abdi, Muslim Painter
Lately I have been interested in what happens to the focus of making art when artists live in politically turbulent times. What happens to your artwork when you feel anxious, confused, frustrated, angry, blindsided, and destabilized? What happens to your artwork when you feel like your opinion is valued, and what happens when you feel like you have to scream to be heard?
This is part of a series showcasing Muslim and Islamic artists.
Wikipedia:
Abed Abdi (Arabic: عبد عابدي, Hebrew: עבד עאבדי; born February 1942, Haifa, Mandate Palestine) is an Arab Israeli painter, graphic designer, sculptor and art lecturer.
Abdi worked as a blacksmith and illustrated Arabic publications that appeared in Israel. After studying in Dresden, Abdi became the first Palestinian to build monumental art on native soil. His allegorical monuments in Galilee, honoring human fortitude and resistance, include a narrative mural depicting Elijah’s defiance and survival and a bronze Land Day memorial.
Abdi held his first exhibition in Tel Aviv in 1962. He then pursued academic studies at the Fine Arts Academy in Dresden (Germany). His professors were L.Grundig, G. Bondzin and G. Kettner. His masterwork at the Academy received the 2nd prize, which allowed Abdi to spend another year at the Academy and specialize in murals and environmental sculpture. In 1972 he returned to Haifa, and worked as graphic designer for a number of Arabic language publications, taught arts and designed murals. The city of Haifa awarded Abdi the “Herman Struck Best Artist of the Year” Prize in 1973. That year, he also obtained the Young Artist’s award at the Berlin International Youth Festival. The city of Haifa awarded him the “Best Artist of the Year Hermann Struck” award for the second time in 1999.
Abed Abdi has erected a number of memorial monuments and murals: in 1976—a sculpture to commemorate Land Day; in 1984—the memorial to commemorate 75 years for the existence of the Galilean municipality of Shefa Amr. In addition, he has painted a number of murals in Haifa, Jaffa and Nazareth.
Abed Abdi has exhibited in Qatar, Israel, Belgium and Bulgaria. He has participated in over 45 group exhibitions, among them the joint Palestinian-Israeli exhibition “It’s possible” which toured the US and Germany between 1988 and 1990. In 1995 he participated in the second exhibition for Palestinians and Israelis in Germany. His work appeared in the “Solidarity with the Palestinian People” exhibit in Tokyo, Berlin, Brussels, Belgrade and Athens. He also organized and participated in exhibitions with Israeli and Palestinian artists in Tel-Aviv, Haifa and West Jerusalem in the period between 1980 and 1987 defending the freedom of expression and creativity.
Abdi is an active member of the Haifa branch of the Israeli Association of Painters and Sculptures, as well as the Jewish-Arab Center of Beit Hagefen. This has enabled him to unite Palestinian and Israeli artists, and organize joint exhibitions, bringing the prospects of peace closer. Abdi founded the Ibda’ society for the promotion of visual arts in the Arab Israeli sector and Ara belle – Visual Arts Workshop in Haifa, for the promotion of the visual arts and intercultural dialogue through the arts. Abdi is president of Al Midan Theater in Haifa. He has been teaching fine arts in the Arab Pedagogical College in Haifa since 1985.
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I’m in Portland, taking a 3-day figure drawing intensive with Fran O’Neill. Saturday was Day 2 of my intensive, and though about mid-day I was cranky, I ended the day on a high. I did not want to stop. I learned a new way of drawing. Isn’t it thrilling that I can draw for so many years, …
8 Great Artists Who Were Inspired by Japan
The article below has some good stuff, but it also misses some of my personal favorite points about how European artists were effected by Japanese art. In the mid/late 1800’s, European art was based on stodgy old realism, and Japanese artists had the crazy idea of using their imagination. In these Japanese prints, proportions are changed, angles are shifted, and …
Humans and Geometry; drawings by Charity Baker
Charity Lynn Baker is an artist living and working in New York. She’s been drawing a lot lately. Her dream-like narrative scenes sometimes remind me of Marc Chagall’s, only Charity’s are more grounded. Formally trained in architecture, when asked about her compositions, she remarked that she likes humans and she likes geometry. Her drawings are …
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