[image_with_animation image_url=”3161″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Yesterday I posted about a conversation between League friend and painter Fredericka Foster and composer/musician Phillip Glass that was recently published in Nautilus. In the post, Foster and Glass talk about time. Above is another artist’s expression of time. Toying with the idea of how long it takes to make …
Monday is composition day in our 30 Day Challenge, and you’re doing great! Today we’re going to work with negative space, and an element of chance to make it fun. You’ll need some string, and simple drawing materials. If you don’t have string, try rubber bands, chopsticks, or bamboo skewers. If you prefer not to …
A Frenchman, Nicolas Poussin (1594-1665) was the leading painter in Rome during the era of Baroque art from the early to mid 1600s, until he rejected the decorative and emotional style in Baroque so he could develop his own style that combined the values of the Renaissance with classical antiquity. If you’re looking at a …
Drawing A Day, Day 20
Related Posts
Erin Goodwin-Guerrero: Embracing Mixed-media
SAL Challenge: Time (slow)
[image_with_animation image_url=”3161″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Yesterday I posted about a conversation between League friend and painter Fredericka Foster and composer/musician Phillip Glass that was recently published in Nautilus. In the post, Foster and Glass talk about time. Above is another artist’s expression of time. Toying with the idea of how long it takes to make …
30SAL Challenge: String Theory
Monday is composition day in our 30 Day Challenge, and you’re doing great! Today we’re going to work with negative space, and an element of chance to make it fun. You’ll need some string, and simple drawing materials. If you don’t have string, try rubber bands, chopsticks, or bamboo skewers. If you prefer not to …
Day 14: Triumph of Pan #30SAL
A Frenchman, Nicolas Poussin (1594-1665) was the leading painter in Rome during the era of Baroque art from the early to mid 1600s, until he rejected the decorative and emotional style in Baroque so he could develop his own style that combined the values of the Renaissance with classical antiquity. If you’re looking at a …