I’ll be sharing my drawings on Facebook. I’d love for you to share yours too. Maybe we’ll get some people jumping in to join us.
Post your pics on the Seattle Artist League‘s Facebook, or Instagram at SeattleArtLeague. #drawingaday #seattleartleague
What can one detail tell us about a scene? If you’re Lynne Ramsay: absolutely everything. In this episode from “Every Frame a Painting” Tony Zhou considers the poetic possibilities of cinema. He presents ideas for film that you can also be applied to paintings. (7 minutes)
This post is an example of it’s own point about how art is changed by frequency, constant inflow, and connectivity. I’m putting this blog post out before the ink dries, without fact checking, thoughts still unresolved. I’ve that itch that says I didn’t finish getting the gunk out of the wrinkles in my own ideas. But I’m publishing …
[image_with_animation image_url=”8958″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] In the April 13, 2018 V. Note, I was Looking Closely at JS Sargent’s Portrait of Henry James. In the post I got all up in that portrait, and guessed at Sargent’s palette, his brushes, and his process. Everything seemed to make sense except for a diagonal stroke of blue …
Drawing A Day, Day 6
I’ll be sharing my drawings on Facebook. I’d love for you to share yours too. Maybe we’ll get some people jumping in to join us.
Post your pics on the Seattle Artist League‘s Facebook, or Instagram at SeattleArtLeague. #drawingaday #seattleartleague
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The Poetry of Details
What can one detail tell us about a scene? If you’re Lynne Ramsay: absolutely everything. In this episode from “Every Frame a Painting” Tony Zhou considers the poetic possibilities of cinema. He presents ideas for film that you can also be applied to paintings. (7 minutes)
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This post is an example of it’s own point about how art is changed by frequency, constant inflow, and connectivity. I’m putting this blog post out before the ink dries, without fact checking, thoughts still unresolved. I’ve that itch that says I didn’t finish getting the gunk out of the wrinkles in my own ideas. But I’m publishing …
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Sargent’s Portrait Butchered
[image_with_animation image_url=”8958″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] In the April 13, 2018 V. Note, I was Looking Closely at JS Sargent’s Portrait of Henry James. In the post I got all up in that portrait, and guessed at Sargent’s palette, his brushes, and his process. Everything seemed to make sense except for a diagonal stroke of blue …