Christians often depict Jesus as coming into their own culture, in their present time. The Italians, whose visual language was predominant during the Middle Ages and Renaissance, featured an Italian Jesus in Renaissance times, and they did it so often and so well that when you think “Nativity,” you probably think of the church art from that age and country—not because it offers the most legitimate representations (they are no more “accurate” than the ones below), but because the Church held particular sway at that time, in that place.
The center of Christianity is no longer in the West. If we were to survey the Christian art being produced today, we would see that Jesus, Mary, and Joseph have a much different look. We’d see Mary dressed in a sari or a hanbok; we’d see Jesus wrapped in buffalo skin, or silk. We’d see lizards and kangaroos.
Historical accuracy is not the point of nativity paintings. The purpose is to represent Jesus as one of the people, and relevant to life today.
Below are nineteen contextualizations of the Nativity painted within the last century. Each work brings Jesus into the scene of the artist.
(Edited from https://thejesusquestion.org/2011/12/25/nativity-paintings-from-around-the-world/) USA:
James B. Janknegt, Nativity, 1995. Oil on canvas, 57 x 82 cm.
Sometimes I wonder what happens to artworks after a class ends. Kate Fluckinger sent out an invitation including some paintings I recognized from Padlet. She’s having a show, and some of the paintings were made in League classes. I asked Kate if pieces of the show were influenced by her recent classes at the League: …
[image_with_animation image_url=”7035″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] I prefer a perfect sheet of Rives BFK, baptized in a bath of holy water and dabbed by angels wings, printed with hesitant optimism and an aneurysm when an imperfection emerges, but William Kentridge, he throws it down. That man can work the paper. Torn pieces, inked, and carefully …
This is day 4 of the 30SAL creative challenge! To learn more about this 30 day challenge, click here. Looking at only the back of this altarpiece fragment, imagine what the front looks like, and recreate it. You can draw, paint, lay out baguettes and hosiery, or anything else that inspires you. Share your drawing …
Yesterday’s Tucket was listed as the last day, but there is one more: Exercise your creativity This SAL Challenge is a vocabulary based creative challenge every day for January. Materials are artist’s choice. You can draw, paint, sew, collage, sculpt your food, anything you want. See below for today’s creative challenge. Set the timer for …
Nativity Paintings from around the World
Christians often depict Jesus as coming into their own culture, in their present time. The Italians, whose visual language was predominant during the Middle Ages and Renaissance, featured an Italian Jesus in Renaissance times, and they did it so often and so well that when you think “Nativity,” you probably think of the church art from that age and country—not because it offers the most legitimate representations (they are no more “accurate” than the ones below), but because the Church held particular sway at that time, in that place.
The center of Christianity is no longer in the West. If we were to survey the Christian art being produced today, we would see that Jesus, Mary, and Joseph have a much different look. We’d see Mary dressed in a sari or a hanbok; we’d see Jesus wrapped in buffalo skin, or silk. We’d see lizards and kangaroos.
Historical accuracy is not the point of nativity paintings. The purpose is to represent Jesus as one of the people, and relevant to life today.
Below are nineteen contextualizations of the Nativity painted within the last century. Each work brings Jesus into the scene of the artist.
(Edited from https://thejesusquestion.org/2011/12/25/nativity-paintings-from-around-the-world/) USA:
James B. Janknegt, Nativity, 1995. Oil on canvas, 57 x 82 cm.
Source.
Crow Nation (Montana-based tribe):
John Guiliani, Mary Gives Birth to Jesus, 1999. From The Crow Series.
Source.
Guatemala:
John Giuliani, Guatemalan Nativity, 1990s.
Source.
Nicaragua:
Leoncio Saenz, Nacimiento (Nativity), 1983. The banner reads: “I come to tell them that in Nicaragua the new man has been born.”
Source.
England:
Dinah Roe Kendall, The Shepherds Went to See the Baby, 1998.
Source.
India:
P. Solomon Raj, Nativity, 1980s. Batik.
Source. (see also another version)
China:
He Qi, Nativity, 1998. Ink and gouache on rice paper.
Source.
Tibet:
A thangka (sacred wall hanging) given by H.H. the Dalai Lama to Fr. Laurence Freeman and the World Community for Christian Meditation in 1998.
Source.
Korea:
Woonbo Kim Ki-chang, The Birth of Jesus Christ, 1952-53. Ink and color on silk, 76 x 63 cm.
Source.
Japan:
Sadao Watanabe, Nativity, 1960s? Stencil print on momigami paper, 58 x 78 cm.
Source. (see two other nativities by Watanabe here and here)
Thailand:
Sawai Chinnawong, Nativity, 2004. Acrylic on canvas, 32 x 37 in.
Source. (see another Nativity painting by the same artist)
Malaysia:
Hanna Varghese, God Is With Us, 2006. Acrylic on canvas, 16 x 20 in.
Source.
Indonesia:
Erland Sibuea, Nativity, 2008. Acrylic on canvas, 31 x 23.6 cm.
Source.
Philippines:
Kristoffer Ardena, The Meaning of Christmas, 1995. Oil on canvas, 62 x 46 cm.
Source.
Uganda:
Francis Musango, Christ in the Manger, n.d. Oil painting.
Source.
Cameroon:
Fr. Engelbert Mveng, Nativity, early 1990s. Central scene from church mural. Holy Angels Church, Aurora, Illinois.
Source. (see the full mural)
Democratic Republic of the Congo:
Joseph Mulamba-Mandangi, Nativity, 2001. Peinture grattée, 70 x 50 cm.
Source.
Australia (Aboriginal):
Greg Weatherby, Dreamtime Birth, 1990s? 51 x 64 cm.
Source.
Tahiti:
Paul Gauguin, Baby (The Nativity), 1896. Oil on canvas. The Hermitage, St. Petersburg, Russia.
Source. (see also Gauguin’s other Nativity painting, Te Tamari No Atua)
Related Posts
Kate Fluckinger
Sometimes I wonder what happens to artworks after a class ends. Kate Fluckinger sent out an invitation including some paintings I recognized from Padlet. She’s having a show, and some of the paintings were made in League classes. I asked Kate if pieces of the show were influenced by her recent classes at the League: …
William Kentridge Prints
[image_with_animation image_url=”7035″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] I prefer a perfect sheet of Rives BFK, baptized in a bath of holy water and dabbed by angels wings, printed with hesitant optimism and an aneurysm when an imperfection emerges, but William Kentridge, he throws it down. That man can work the paper. Torn pieces, inked, and carefully …
Day 4: Altarpiece #30SAL
This is day 4 of the 30SAL creative challenge! To learn more about this 30 day challenge, click here. Looking at only the back of this altarpiece fragment, imagine what the front looks like, and recreate it. You can draw, paint, lay out baguettes and hosiery, or anything else that inspires you. Share your drawing …
SAL Challenge 31: PALIMPSEST
Yesterday’s Tucket was listed as the last day, but there is one more: Exercise your creativity This SAL Challenge is a vocabulary based creative challenge every day for January. Materials are artist’s choice. You can draw, paint, sew, collage, sculpt your food, anything you want. See below for today’s creative challenge. Set the timer for …