Feel like your subject matter might be too dull to hold attention?
Change the attention.
Toilet paper is a subject wound in controversy:
Toilet paper orientation
From Wikipedia, the free encyclopedia
Toilet paper orientation
The over orientation
The under orientation
Toilet paper when used with a toilet roll holder with a horizontal axle parallel to the floor and also parallel to the wall has two possible orientations: the toilet paper may hang over (in front of) or under (behind) the roll; if perpendicular to the wall, the two orientations are right-left or near-away. The choice is largely a matter of personal preference, dictated by habit. In surveys of US consumers and of bath and kitchen specialists, 60–70 percent of respondents prefer over.
While many people consider this topic unimportant, some hold strong opinions on the matter. Advice columnist Ann Landers said that the subject was the most responded to (15,000 letters in 1986) and controversial issue in her column’s history. Defenders of either position cite advantages ranging from aesthetics, hospitality, and cleanliness to paper conservation, the ease of detaching individual squares, and compatibility with a recreational vehicle or a cat. Some writers have proposed connections to age, sex, or political philosophy, and survey evidence has shown a correlation with socioeconomic status. A generic answer is that it should hang the way the person doing the roll changing prefers.
Solutions range from compromise, to using separate dispensers or separate bathrooms entirely, or simply ignoring the issue altogether. One man advocates a plan under which his country will standardize on a single forced orientation, and at least one inventor hopes to popularize a new kind of toilet roll holder which swivels from one orientation to the other.
Some people need a little extra push to get them to sit and draw. I’m one of those people. I’m a chronic multi-tasker. I tend to be scattered, I take on too much, and whatever I’m doing I feel like I should be doing something else. One very potent and wonderful invitation to focus is …
“Almost everyone can remember in grade school art class placing a sheet of paper over the face of a coin or some other textured object and rubbing it with a crayon. I employed this same method – known as frottage – to create the following portraits. For Beckett’s likeness, I had embossed plates made of …
This proclamation didn’t stop Chuck Close, who started painting portraits in the 1960s, 10 years after Pollock’s most famous drip paintings, and still during Greenberg’s reign. “I thought, ‘Well then, that field is wide open.’ And why the fuck can’t you make a portrait anyway?” – Chuck Close An informative little video WTF The quotes …
Art 21 by Michael Neault | Jan 7, 2013 Ilya Repin, “Unexpected Visitors” (or “They Did Not Expect Him”), 1884-1888. Oil on canvas. 63.19 x 65.95 in. The Tretyakov Gallery, Moscow, Russia. When you approach a painting in a gallery, it feels like you’re looking at the entire piece all at once, but what your …
Gerhard Richter: Toilet Paper
Change the attention.
Toilet paper is a subject wound in controversy:
Toilet paper orientation
From Wikipedia, the free encyclopedia
Toilet paper orientation
The over orientation
The under orientation
Toilet paper when used with a toilet roll holder with a horizontal axle parallel to the floor and also parallel to the wall has two possible orientations: the toilet paper may hang over (in front of) or under (behind) the roll; if perpendicular to the wall, the two orientations are right-left or near-away. The choice is largely a matter of personal preference, dictated by habit. In surveys of US consumers and of bath and kitchen specialists, 60–70 percent of respondents prefer over.
While many people consider this topic unimportant, some hold strong opinions on the matter. Advice columnist Ann Landers said that the subject was the most responded to (15,000 letters in 1986) and controversial issue in her column’s history. Defenders of either position cite advantages ranging from aesthetics, hospitality, and cleanliness to paper conservation, the ease of detaching individual squares, and compatibility with a recreational vehicle or a cat. Some writers have proposed connections to age, sex, or political philosophy, and survey evidence has shown a correlation with socioeconomic status. A generic answer is that it should hang the way the person doing the roll changing prefers.
Solutions range from compromise, to using separate dispensers or separate bathrooms entirely, or simply ignoring the issue altogether. One man advocates a plan under which his country will standardize on a single forced orientation, and at least one inventor hopes to popularize a new kind of toilet roll holder which swivels from one orientation to the other.
Related Posts
Why I draw the figure
Some people need a little extra push to get them to sit and draw. I’m one of those people. I’m a chronic multi-tasker. I tend to be scattered, I take on too much, and whatever I’m doing I feel like I should be doing something else. One very potent and wonderful invitation to focus is …
30SAL Challenge: Frottage
“Almost everyone can remember in grade school art class placing a sheet of paper over the face of a coin or some other textured object and rubbing it with a crayon. I employed this same method – known as frottage – to create the following portraits. For Beckett’s likeness, I had embossed plates made of …
WTF? Clement Greenberg says it’s not possible
This proclamation didn’t stop Chuck Close, who started painting portraits in the 1960s, 10 years after Pollock’s most famous drip paintings, and still during Greenberg’s reign. “I thought, ‘Well then, that field is wide open.’ And why the fuck can’t you make a portrait anyway?” – Chuck Close An informative little video WTF The quotes …
Tracking the Gaze
Art 21 by Michael Neault | Jan 7, 2013 Ilya Repin, “Unexpected Visitors” (or “They Did Not Expect Him”), 1884-1888. Oil on canvas. 63.19 x 65.95 in. The Tretyakov Gallery, Moscow, Russia. When you approach a painting in a gallery, it feels like you’re looking at the entire piece all at once, but what your …