‘If something is boring after two minutes, try it for four. If still boring, then eight. Then sixteen. Then thirty-two. Eventually one discovers that it is not boring at all.’ – John Cage
[image_with_animation image_url=”3394″ alignment=”” animation=”None John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer, music theorist, writer, philosopher, and artist. (Wikipedia)
Cage studied Indian philosophy and Zen Buddhism in the late 1940s, and the I Ching became his source reference for life, using the guide as a random chance generator, as well as philosophical reference.
Between 1979 and 1982 Cage produced a number of large series of prints: Changes and Disappearances (1979–80), On the Surface (1980–82), and Déreau (1982). In 1983 he started using various unconventional materials such as cotton batting, foam, etc., and then used stones and fire (Eninka, Variations, Ryoanji, etc.) to create his visual works. In 1988–1990 he produced watercolors at the Mountain Lake Workshop. [image_with_animation image_url=”3397″ alignment=”” animation=”None Choice
“Chance Operations” would seem a haphazard process, but these are structures, a series of strict rules that remove choice from the artist. Choice is what most artists most value. If you let go of choice, what remains in your artworks?
Freedom
Ever get stuck with your painting, unsure of your next move to the point of anxiety or frustration? This kind of painting can be good for busy minds, or Option Paralysis. It is what it is, every answer is good. https://www.youtube.com/watch?v=E3xLEo1z8RQ” el_aspect=”43
I hosted our first online session yesterday! Part of the class was in the studio with me, watching the slide lecture on a big projector screen, part of the class was online, watching my computer screen-share from home. It worked great! The class was active, we had an age range of 32-78, and people worked …
This robot was designed to have human-like focus. It looks first at the subject, then at the paper, and wiggles its little robot arm to make marks with a Bic pen. From this, a portrait is produced. It’s normal to assume that creative work is an emotional process, but observational drawing is more like this studious robot …
Yesterday’s challenge was to draw your left ear without looking at it. Sunday is observation day, so today the challenge is to draw your right ear, this time from observation. Challenge: draw your other ear Set up mirrors, snap a picture, zoom yourself, whatever it takes to get a look at that lobe. The first …
I chose the clip above for Kerry James Marshall’s thoughts about how identifying as a Black artist is not a real choice, because only white artists are not burdened by the problems of race. Then the paintings of Black artists in the ‘Being an Artist” video (above) led me to seek out more of Marshall’s …
John Cage: Chance Operations
[image_with_animation image_url=”3394″ alignment=”” animation=”None John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer, music theorist, writer, philosopher, and artist. (Wikipedia)
Cage studied Indian philosophy and Zen Buddhism in the late 1940s, and the I Ching became his source reference for life, using the guide as a random chance generator, as well as philosophical reference.
Between 1979 and 1982 Cage produced a number of large series of prints: Changes and Disappearances (1979–80), On the Surface (1980–82), and Déreau (1982). In 1983 he started using various unconventional materials such as cotton batting, foam, etc., and then used stones and fire (Eninka, Variations, Ryoanji, etc.) to create his visual works. In 1988–1990 he produced watercolors at the Mountain Lake Workshop. [image_with_animation image_url=”3397″ alignment=”” animation=”None Choice
“Chance Operations” would seem a haphazard process, but these are structures, a series of strict rules that remove choice from the artist. Choice is what most artists most value. If you let go of choice, what remains in your artworks?
Freedom
Ever get stuck with your painting, unsure of your next move to the point of anxiety or frustration? This kind of painting can be good for busy minds, or Option Paralysis. It is what it is, every answer is good.
https://www.youtube.com/watch?v=E3xLEo1z8RQ” el_aspect=”43
Ruthie teaches art classes at Seattle Artist League. Click here to sign up for drawing, painting, pottery, and more!
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This robot was designed to have human-like focus. It looks first at the subject, then at the paper, and wiggles its little robot arm to make marks with a Bic pen. From this, a portrait is produced. It’s normal to assume that creative work is an emotional process, but observational drawing is more like this studious robot …
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