We spend our lives around and within the internet, using email and text messages. But these digital layers of information have yet to integrate into our paintings. Why?
These images present us with quandaries. How do we combine the “real world” with “online world” … and should these screen images really be put in paint at all? How many of us use the internet to research subjects, collect images, learn techniques and gain inspirations, but don’t include the context of their harvest due to issues of taste and subject matter?
Maybe the solution lies not in content, but in form. Here’s another short by Tony Zhou’s “Every Frame a Painting” series, with ideas for film that can be applied to your paintings. As he says, the playing field is wide open. It’s time for us to invent and re-integrate our lives with our art works.
Welcome to the 9th day of our 30 Day Challenge. I’ve pretty much decided that the more serious the news is, the less serious these challenges are going to be. Saturdays are experimental days, so instead of reaching for our paints, we’re going to play with our food. Prepare to get silly in the kitchen. …
Congratulations! You are halfway through our 30 day creative challenge! How are you doing with the various approaches? Do you have favorites? Hopefully you’ve logged into Instagram or to the Padlets to “like” people’s artistic responses. Awards and prizes will be posted today. Here are links to all the Padlet pages so far: Day 1: …
Pictured above: Patty Haller’s mother in the Smith & Vallee Gallery Patty Haller was invited to use the front studio space at the Seattle Artist League so she could prepare several large panels, including a 12′ painting for her January show “Growth Patterns” at the Smith & Vallee Gallery. Haller spent the fall and winter at the …
Texting and Internet in Film and Paintings
We spend our lives around and within the internet, using email and text messages. But these digital layers of information have yet to integrate into our paintings. Why?
These images present us with quandaries. How do we combine the “real world” with “online world” … and should these screen images really be put in paint at all? How many of us use the internet to research subjects, collect images, learn techniques and gain inspirations, but don’t include the context of their harvest due to issues of taste and subject matter?
Maybe the solution lies not in content, but in form. Here’s another short by Tony Zhou’s “Every Frame a Painting” series, with ideas for film that can be applied to your paintings. As he says, the playing field is wide open. It’s time for us to invent and re-integrate our lives with our art works.
(5 minutes) https://youtu.be/uFfq2zblGXw?list=PL2w4TvBbdQ3sMABf317ExCob_v6rW2-4s
IN FILM:
[image_with_animation image_url=”3318″ alignment=”” animation=”None[image_with_animation image_url=”3319″ alignment=”” animation=”None
IN PAINTINGS:
[image_with_animation image_url=”3321″ alignment=”” animation=”None[image_with_animation image_url=”3308″ alignment=”” animation=”None[image_with_animation image_url=”3317″ alignment=”” animation=”None[image_with_animation image_url=”3312″ alignment=”” animation=”None Showing work by: Valery Grancher, Mark Takamichi Miller (Seattle Artist), Erin Riley, Shawn Huckins, Miltos Manetas
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