[vc_row type=”in_container” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1/1″][vc_column_text]We spend our lives around and within the internet, using email and text messages. But these digital layers of information have yet to integrate into our paintings. Why?
These images present us with quandaries. How do we combine the “real world” with “online world” … and should these screen images really be put in paint at all? How many of us use the internet to research subjects, collect images, learn techniques and gain inspirations, but don’t include the context of their harvest due to issues of taste and subject matter?
Maybe the solution lies not in content, but in form. Here’s another short by Tony Zhou’s “Every Frame a Painting” series, with ideas for film that can be applied to your paintings. As he says, the playing field is wide open. It’s time for us to invent and re-integrate our lives with our art works.
In a recent V. Note I talked about how artists study works by other artists. Transcriptions are like artist’s notes, recording selected aspects and observations in an artwork. Sometimes they serve as a jumping off point for artwork in completely new direction. Transcriptions are not copies. For a commission, Frank Auerbach transcribed Titian’s ‘Tarquin and …
[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”7708″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”][vc_column_text] Piet Mondrian, 1908 Did you know Piet Mondrian loved to paint trees? Draw/paint/collage a tree. Draw it from observation, not imagination, preferably from life and not a photograph. This is part 1 of …
Before all those orange artworks, I was posting about Figure in Interior; the most unusual art class I’ve ever been a part of. I talked about Cezanne, and how making small marks distributed around the page (thank you to Fran O’Neill) can be a way to integrate time and change within a drawing. My premise …
Texting and Internet in Film and Paintings
[vc_row type=”in_container” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1/1″][vc_column_text]We spend our lives around and within the internet, using email and text messages. But these digital layers of information have yet to integrate into our paintings. Why?
These images present us with quandaries. How do we combine the “real world” with “online world” … and should these screen images really be put in paint at all? How many of us use the internet to research subjects, collect images, learn techniques and gain inspirations, but don’t include the context of their harvest due to issues of taste and subject matter?
Maybe the solution lies not in content, but in form. Here’s another short by Tony Zhou’s “Every Frame a Painting” series, with ideas for film that can be applied to your paintings. As he says, the playing field is wide open. It’s time for us to invent and re-integrate our lives with our art works.
(5 minutes)[/vc_column_text][divider line_type=”No Line” custom_height=”30″][vc_video link=”https://youtu.be/uFfq2zblGXw?list=PL2w4TvBbdQ3sMABf317ExCob_v6rW2-4s”][divider line_type=”No Line” custom_height=”30″][vc_column_text]
IN FILM:
[/vc_column_text][image_with_animation image_url=”3318″ alignment=”” animation=”None”][image_with_animation image_url=”3319″ alignment=”” animation=”None”][divider line_type=”No Line” custom_height=”30″][vc_column_text]
IN PAINTINGS:
[/vc_column_text][image_with_animation image_url=”3321″ alignment=”” animation=”None”][image_with_animation image_url=”3308″ alignment=”” animation=”None”][image_with_animation image_url=”3317″ alignment=”” animation=”None”][image_with_animation image_url=”3312″ alignment=”” animation=”None”][vc_column_text]Showing work by: Valery Grancher, Mark Takamichi Miller (Seattle Artist), Erin Riley, Shawn Huckins, Miltos Manetas[/vc_column_text][/vc_column][/vc_row]
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Auerbach’s Transcriptions after Titian
In a recent V. Note I talked about how artists study works by other artists. Transcriptions are like artist’s notes, recording selected aspects and observations in an artwork. Sometimes they serve as a jumping off point for artwork in completely new direction. Transcriptions are not copies. For a commission, Frank Auerbach transcribed Titian’s ‘Tarquin and …
SAL Challenge Day 17: Evolution of a Tree, Part 1 of 3
[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”7708″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”][vc_column_text] Piet Mondrian, 1908 Did you know Piet Mondrian loved to paint trees? Draw/paint/collage a tree. Draw it from observation, not imagination, preferably from life and not a photograph. This is part 1 of …
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Before all those orange artworks, I was posting about Figure in Interior; the most unusual art class I’ve ever been a part of. I talked about Cezanne, and how making small marks distributed around the page (thank you to Fran O’Neill) can be a way to integrate time and change within a drawing. My premise …