What can one detail tell us about a scene? If you’re Lynne Ramsay: absolutely everything. In this episode from “Every Frame a Painting” Tony Zhou considers the poetic possibilities of cinema. He presents ideas for film that you can also be applied to paintings. (7 minutes)
One year ago in March, to protect our students and teachers from a new coronavirus, the Seattle Artist League moved our classes online. The virus was declared a national emergency, and we went into quarantine. We have now been in quarantine for thirteen months. Through this year, we have met each other online to draw, …
I used to view digital paintings as inferior to “real” paintings, requiring less skill. I’ve since come to realize the skill of digital work is no less challenging, and the medium can be every bit as sincere. Digital paintings require the artist to mix and apply specific color, value, texture, layers, and transparency – all …
Yesterday I posted about “The Language of Color” in which John H. McWhorter points out that some languages don’t have the words ours does to describe colors. Ancient Greek was one such language, and did not have words for yellow, green, or blue. In The Iliad, Homer refers to “the wine dark sea.” Upon examination, …
This challenge was from Catherine Lepp, our newest instructor from the New York Studio School: draw the head of a classical sculpture using only circles and straight lines.
The Poetry of Details
What can one detail tell us about a scene? If you’re Lynne Ramsay: absolutely everything. In this episode from “Every Frame a Painting” Tony Zhou considers the poetic possibilities of cinema. He presents ideas for film that you can also be applied to paintings. (7 minutes)
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Online Anniversary Show: Scenes in Grey and Green
One year ago in March, to protect our students and teachers from a new coronavirus, the Seattle Artist League moved our classes online. The virus was declared a national emergency, and we went into quarantine. We have now been in quarantine for thirteen months. Through this year, we have met each other online to draw, …
Artworks with an “Undo” button; Online Anniversary Show Continues
I used to view digital paintings as inferior to “real” paintings, requiring less skill. I’ve since come to realize the skill of digital work is no less challenging, and the medium can be every bit as sincere. Digital paintings require the artist to mix and apply specific color, value, texture, layers, and transparency – all …
The Wine Dark Sea
Yesterday I posted about “The Language of Color” in which John H. McWhorter points out that some languages don’t have the words ours does to describe colors. Ancient Greek was one such language, and did not have words for yellow, green, or blue. In The Iliad, Homer refers to “the wine dark sea.” Upon examination, …
30SAL Faves: Circles and Straights
This challenge was from Catherine Lepp, our newest instructor from the New York Studio School: draw the head of a classical sculpture using only circles and straight lines.