Nicolas de Staël was a French painter of Russian origin known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles.
After suffering from depression, in the wake of a disappointing meeting with a disparaging art critic on March 16, 1955 he committed suicide. He leapt to his death from his eleventh story studio terrace, in Antibes. He was 41 years old.
In the US, his name is rarely cited as an influence. The first reason for his relative absence is simply bad timing. As Eliza Rathbone explained in 1997: “The very fact that [de Staël] began to achieve fame and recognition during the same years as the New York School was establishing its reputation on native soil, made a challenging environment for the work of an artist steeped in artistic culture and traditions of France.”The romantic image of the New York School remains powerful today. Struggling inwardly in a studio on 10th Street continues to capture the imagination of young American painters more than painting light and heat on a beach in Antibes.
PAINTINGS
IN MUSEUMS
On screen these compositions look small, but look at the size of these works in context.
One year ago in March, to protect our students and teachers from a new coronavirus, the Seattle Artist League moved our classes online. The virus was declared a national emergency, and we went into quarantine. We have now been in quarantine for thirteen months. Through this year, we have met each other online to draw, …
After the election I experienced a reality shift. It was something I found neither productive nor pleasant, but it happened. I’m not sure if it affected my pictures, or if it would have affected them if I was painting them, but I wasn’t. What it did effect was how I viewed the the school. While a …
Take a class with SAL – anywhere! If I wanted to paint solid, flat, even areas of color without visible brushstrokes I would: Start with a pre-gessoed smooth panel, or apply your own gesso and wet sand between coats. Use a soft brush, like a synthetic squirrel tail. (Hint: You’ll need to use thinner paint …
In the previous post featuring Stanley Lewis, Lewis was quoted on his admiration of Wilbur Niewald. “You have got to find out about his paintings (…) Wilbur is an interpreter of Cézanne and Mondrian.” – Lewis Following this advice, I looked up Wilbur Niewald. My eyes were most eager to look at his drawings, still life, and …
Nicolas de Staël
Nicolas de Staël was a French painter of Russian origin known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles.
After suffering from depression, in the wake of a disappointing meeting with a disparaging art critic on March 16, 1955 he committed suicide. He leapt to his death from his eleventh story studio terrace, in Antibes. He was 41 years old.
In the US, his name is rarely cited as an influence. The first reason for his relative absence is simply bad timing. As Eliza Rathbone explained in 1997: “The very fact that [de Staël] began to achieve fame and recognition during the same years as the New York School was establishing its reputation on native soil, made a challenging environment for the work of an artist steeped in artistic culture and traditions of France.” The romantic image of the New York School remains powerful today. Struggling inwardly in a studio on 10th Street continues to capture the imagination of young American painters more than painting light and heat on a beach in Antibes.
PAINTINGS
On screen these compositions look small, but look at the size of these works in context.
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One year ago in March, to protect our students and teachers from a new coronavirus, the Seattle Artist League moved our classes online. The virus was declared a national emergency, and we went into quarantine. We have now been in quarantine for thirteen months. Through this year, we have met each other online to draw, …
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After the election I experienced a reality shift. It was something I found neither productive nor pleasant, but it happened. I’m not sure if it affected my pictures, or if it would have affected them if I was painting them, but I wasn’t. What it did effect was how I viewed the the school. While a …
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Take a class with SAL – anywhere! If I wanted to paint solid, flat, even areas of color without visible brushstrokes I would: Start with a pre-gessoed smooth panel, or apply your own gesso and wet sand between coats. Use a soft brush, like a synthetic squirrel tail. (Hint: You’ll need to use thinner paint …
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In the previous post featuring Stanley Lewis, Lewis was quoted on his admiration of Wilbur Niewald. “You have got to find out about his paintings (…) Wilbur is an interpreter of Cézanne and Mondrian.” – Lewis Following this advice, I looked up Wilbur Niewald. My eyes were most eager to look at his drawings, still life, and …