[vc_row type=”in_container” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1/1″][vc_column_text]I’m sending this stuff because I’m watching this stuff, and I’m watching this stuff because I want to do this stuff. I’m gonna make some heads in clay! Sounds like fun, and if they work, they’ll be good subjects for drawings and paintings when live models aren’t available.
The wonderful secondary benefit is that studying sculpture will make my paintings better. Physically working information into a 3 dimensional form will help me develop my 2 dimensional paintings. It’s a complementary level of knowledge.[/vc_column_text][vc_video link=”https://youtu.be/m17DFYI0GLc” el_aspect=”43″][vc_video link=”https://youtu.be/F8Y797g_Jg4″][/vc_column][/vc_row]
[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”9047″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”][vc_column_text] John Singer Sargent’s portrait of Eleanora Duse When looking at John Singer Sargent’s “effortless” portraits, I often wonder how long he actually spent on each. He wanted the painting to look fresh, with …
[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”7856″ alignment=”center” animation=”Fade In” box_shadow=”none” max_width=”100%”][vc_column_text] Siobhan Wilder, painting in progress When I was little, before I could write, I would pretend to write in cursive. I’d take a pencil and paper and draw repeated double loops like …
[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”11320″ alignment=”” animation=”Fade In” box_shadow=”none” max_width=”100%”][vc_column_text] Belinda Del Pesco, drypoint of someone making a drypoint Drypoint, a rather scratchy nails-on-chalboard kind of word, is a printmaking technique in which an image is incised into a plate with a …
Here it is, we have arrived at the end of this nearly unending 30 Day Challenge. You’ve all been good creative sports about the hardship – I could almost believe some of you enjoyed it. In the next few days I’ll start posting my favorites, and then I’ll post the winners of the prizes after …
Sculpting a head in clay
[vc_row type=”in_container” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1/1″][vc_column_text]I’m sending this stuff because I’m watching this stuff, and I’m watching this stuff because I want to do this stuff. I’m gonna make some heads in clay! Sounds like fun, and if they work, they’ll be good subjects for drawings and paintings when live models aren’t available.
The wonderful secondary benefit is that studying sculpture will make my paintings better. Physically working information into a 3 dimensional form will help me develop my 2 dimensional paintings. It’s a complementary level of knowledge.[/vc_column_text][vc_video link=”https://youtu.be/m17DFYI0GLc” el_aspect=”43″][vc_video link=”https://youtu.be/F8Y797g_Jg4″][/vc_column][/vc_row]
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[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”9047″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”][vc_column_text] John Singer Sargent’s portrait of Eleanora Duse When looking at John Singer Sargent’s “effortless” portraits, I often wonder how long he actually spent on each. He wanted the painting to look fresh, with …
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