I’m sending this stuff because I’m watching this stuff, and I’m watching this stuff because I want to do this stuff. I’m gonna make some heads in clay! Sounds like fun, and if they work, they’ll be good subjects for drawings and paintings when live models aren’t available.
The wonderful secondary benefit is that studying sculpture will make my paintings better. Physically working information into a 3 dimensional form will help me develop my 2 dimensional paintings. It’s a complementary level of knowledge. https://youtu.be/m17DFYI0GLc” el_aspect=”43https://youtu.be/F8Y797g_Jg4
Here’s another painter from the list of Carlos San Millan’s favorites: Mitchell Johnson. Johnson’s paintings take urban and suburban architecture and turns them into playful studies of color and shape. The shapes in his recent paintings are large, flat areas of pronounced color theory – almost resembling collage. Artist influences: Josef Albers, Morandi. Place influences: …
[image_with_animation image_url=”11428″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] From previous V.Note: “Though I thought I should give it a try, I really thought I wouldn’t like drypoint because every time I heard the word “drypoint” I heard nails on a chalkboard, and most of the prints labeled as “drypoints” seemed less rich and subtle than the etchings …
Once we miss a few in a row, many of us find it more difficult to pick a goal back up again. If this is you, don’t worry about anything you missed in the past, and don’t worry about what you might not be able to do in the future. See if you can doodle …
Michelle Muldrow uses the aqueous and graphic casein paint to give fresh painterly color to her urban landscapes. Her scenes describe the buzzing light and glinting metal, linoleum, and synthetic fabrics of department stores. Edited from her website: Muldrow explores the the landscape genre and what it means to be picturesque. She contrasts the idea of the picturesque by …
Sculpting a head in clay
I’m sending this stuff because I’m watching this stuff, and I’m watching this stuff because I want to do this stuff. I’m gonna make some heads in clay! Sounds like fun, and if they work, they’ll be good subjects for drawings and paintings when live models aren’t available.
The wonderful secondary benefit is that studying sculpture will make my paintings better. Physically working information into a 3 dimensional form will help me develop my 2 dimensional paintings. It’s a complementary level of knowledge. https://youtu.be/m17DFYI0GLc” el_aspect=”43https://youtu.be/F8Y797g_Jg4
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Mitchell Johnson
Here’s another painter from the list of Carlos San Millan’s favorites: Mitchell Johnson. Johnson’s paintings take urban and suburban architecture and turns them into playful studies of color and shape. The shapes in his recent paintings are large, flat areas of pronounced color theory – almost resembling collage. Artist influences: Josef Albers, Morandi. Place influences: …
This is not an etching: Frank Hobbs
[image_with_animation image_url=”11428″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] From previous V.Note: “Though I thought I should give it a try, I really thought I wouldn’t like drypoint because every time I heard the word “drypoint” I heard nails on a chalkboard, and most of the prints labeled as “drypoints” seemed less rich and subtle than the etchings …
Day 19: Naiskos Fragment #30SAL
Once we miss a few in a row, many of us find it more difficult to pick a goal back up again. If this is you, don’t worry about anything you missed in the past, and don’t worry about what you might not be able to do in the future. See if you can doodle …
Michelle Muldrow
Michelle Muldrow uses the aqueous and graphic casein paint to give fresh painterly color to her urban landscapes. Her scenes describe the buzzing light and glinting metal, linoleum, and synthetic fabrics of department stores. Edited from her website: Muldrow explores the the landscape genre and what it means to be picturesque. She contrasts the idea of the picturesque by …