I posted a V-Note about Casey Klahn’s pastels a while ago, and received a letter of thanks from him. We chatted a bit and I asked him if he’d be willing to teach a workshop at our new school. He asked about the students and the space, and I described us as a puppy with big feet. He agreed to join us, and has already started promotions. I’m thrilled the League is hosting Casey Klahn for a workshop on Color, Unity & Form March 4/5 2017.
Casey Klahn
Casey Klahn is an American artist born in 1958 in Hoquiam, Washington, and now living in Davenport. He drew as a child, but only became a professional artist some 15 years ago. He is in the main self-taught, but did take the Norman Rockwell Famous Artist School Correspondence Course for Talented Young People (that is some handle!) when about 11 or 12 years old, which he still values highly. He has attended some workshops, and now teaches fine art workshops on his own New School Color, from Boston to Denver, Durango, Portland, Seattle, to Georgia.
Casey explains: “New School Color is my way of describing new expressions in colorism similar to Fauvism but exploring the new. Contemporary colors are more numerous than either the Fauvists or van Gogh had available. We are in a new era in that regard. I wish to explore what new things may be said with color.” Often surprising in the use of colors, his palette is up-to-the-minute. His visual ideas extend the explosion in art that began over a century ago with Modern painters such as Cezanne, van Gogh and Matisse. Currently not a physical construction of bricks and mortar or an organized school, the New School Color is more a conceptual entity, but who knows what the future may hold as Casey’s influence spreads, as he garners more students and followers.
Pastels
Pastels are the oldest colored medium, the purest form of pigment, and there are far more colors available today than at any other time in history. So what do you do with all that color? How do you infuse joyful expressionism, while maintaining unity and form? In this class, students will enjoy an in-depth exploration of the properties of color, and learn about Colorist and Tonalist art.
Casey’s workshop includes painting demonstrations, short visual lectures, easel and formal group critiques, and plenty of student painting time.
This is the last day in our 30 Day Creative Challenge! A big public THANK YOU to those artists who posted your sketches to Instagram or to Padlet. While the posting type people are wooting amidst their social media glitter and confetti, I’ll pass a word of quiet appreciation to the unknown number of you …
Before I start talking about this painting, before I analyze it all over the up and down, telling you this thing and that thing about the colors and shapes, take a long moment to enjoy and experience this painting above by Susan Lichtman. I’m about to talk about it in a way that will prevent …
Stuart Shils in Conversation With Nikolai Fox April 6, 2012 By Larry 14 Comments Stuart Shils End of a Sumer Day, Last Blast of Warm Light, Looking Back, 30×42 inches click here for a larger view Stuart Shils in Conversation With Nikolai Fox March 2012, in advance of an exhibition at steven harvey fine …
Art 21 by Michael Neault | Jan 7, 2013 Ilya Repin, “Unexpected Visitors” (or “They Did Not Expect Him”), 1884-1888. Oil on canvas. 63.19 x 65.95 in. The Tretyakov Gallery, Moscow, Russia. When you approach a painting in a gallery, it feels like you’re looking at the entire piece all at once, but what your …
Casey Klahn: Color, Unity, & Form
I posted a V-Note about Casey Klahn’s pastels a while ago, and received a letter of thanks from him. We chatted a bit and I asked him if he’d be willing to teach a workshop at our new school. He asked about the students and the space, and I described us as a puppy with big feet. He agreed to join us, and has already started promotions. I’m thrilled the League is hosting Casey Klahn for a workshop on Color, Unity & Form March 4/5 2017.
Casey Klahn
Casey Klahn is an American artist born in 1958 in Hoquiam, Washington, and now living in Davenport. He drew as a child, but only became a professional artist some 15 years ago. He is in the main self-taught, but did take the Norman Rockwell Famous Artist School Correspondence Course for Talented Young People (that is some handle!) when about 11 or 12 years old, which he still values highly. He has attended some workshops, and now teaches fine art workshops on his own New School Color, from Boston to Denver, Durango, Portland, Seattle, to Georgia.
Casey explains: “New School Color is my way of describing new expressions in colorism similar to Fauvism but exploring the new. Contemporary colors are more numerous than either the Fauvists or van Gogh had available. We are in a new era in that regard. I wish to explore what new things may be said with color.” Often surprising in the use of colors, his palette is up-to-the-minute. His visual ideas extend the explosion in art that began over a century ago with Modern painters such as Cezanne, van Gogh and Matisse. Currently not a physical construction of bricks and mortar or an organized school, the New School Color is more a conceptual entity, but who knows what the future may hold as Casey’s influence spreads, as he garners more students and followers.
Pastels are the oldest colored medium, the purest form of pigment, and there are far more colors available today than at any other time in history. So what do you do with all that color? How do you infuse joyful expressionism, while maintaining unity and form? In this class, students will enjoy an in-depth exploration of the properties of color, and learn about Colorist and Tonalist art.
Casey’s workshop includes painting demonstrations, short visual lectures, easel and formal group critiques, and plenty of student painting time.
Casey Klahn and Paul Cezanne
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This is the last day in our 30 Day Creative Challenge! A big public THANK YOU to those artists who posted your sketches to Instagram or to Padlet. While the posting type people are wooting amidst their social media glitter and confetti, I’ll pass a word of quiet appreciation to the unknown number of you …
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Before I start talking about this painting, before I analyze it all over the up and down, telling you this thing and that thing about the colors and shapes, take a long moment to enjoy and experience this painting above by Susan Lichtman. I’m about to talk about it in a way that will prevent …
Stuart Shils (Part 2)
Stuart Shils in Conversation With Nikolai Fox April 6, 2012 By Larry 14 Comments Stuart Shils End of a Sumer Day, Last Blast of Warm Light, Looking Back, 30×42 inches click here for a larger view Stuart Shils in Conversation With Nikolai Fox March 2012, in advance of an exhibition at steven harvey fine …
Tracking the Gaze
Art 21 by Michael Neault | Jan 7, 2013 Ilya Repin, “Unexpected Visitors” (or “They Did Not Expect Him”), 1884-1888. Oil on canvas. 63.19 x 65.95 in. The Tretyakov Gallery, Moscow, Russia. When you approach a painting in a gallery, it feels like you’re looking at the entire piece all at once, but what your …