I posted a V-Note about Casey Klahn’s pastels a while ago, and received a letter of thanks from him. We chatted a bit and I asked him if he’d be willing to teach a workshop at our new school. He asked about the students and the space, and I described us as a puppy with big feet. He agreed to join us, and has already started promotions. I’m thrilled the League is hosting Casey Klahn for a workshop on Color, Unity & Form March 4/5 2017.
Casey Klahn
Casey Klahn is an American artist born in 1958 in Hoquiam, Washington, and now living in Davenport. He drew as a child, but only became a professional artist some 15 years ago. He is in the main self-taught, but did take the Norman Rockwell Famous Artist School Correspondence Course for Talented Young People (that is some handle!) when about 11 or 12 years old, which he still values highly. He has attended some workshops, and now teaches fine art workshops on his own New School Color, from Boston to Denver, Durango, Portland, Seattle, to Georgia.
Casey explains: “New School Color is my way of describing new expressions in colorism similar to Fauvism but exploring the new. Contemporary colors are more numerous than either the Fauvists or van Gogh had available. We are in a new era in that regard. I wish to explore what new things may be said with color.” Often surprising in the use of colors, his palette is up-to-the-minute. His visual ideas extend the explosion in art that began over a century ago with Modern painters such as Cezanne, van Gogh and Matisse. Currently not a physical construction of bricks and mortar or an organized school, the New School Color is more a conceptual entity, but who knows what the future may hold as Casey’s influence spreads, as he garners more students and followers.
Pastels
Pastels are the oldest colored medium, the purest form of pigment, and there are far more colors available today than at any other time in history. So what do you do with all that color? How do you infuse joyful expressionism, while maintaining unity and form? In this class, students will enjoy an in-depth exploration of the properties of color, and learn about Colorist and Tonalist art.
Casey’s workshop includes painting demonstrations, short visual lectures, easel and formal group critiques, and plenty of student painting time.
I chose these sketches specifically to look at how vine charcoal can be used in a drawing to talk about change, movement and time. Vine charcoal is a lovely medium. It’s just a simple burnt branch, and it allows the artist to make a line, smudge it out, and make another. The dark lyrical lines …
Details: Deadline for Delivery of Work: March 19, 2019 Show Dates: March 23/24 2019 Deadline for Pickup: April 2, 2019. Artworks remaining after April 3rd will be donated to charity. Drop off and pick up times: Monday 10:00-2:00, Tuesday 10:00am – 5:00pm, 6:00-10:00pm Submission Requirements: Must be currently in a class at the Seattle Artist League, or a League member. …
One way to use broken color is to create optical color mixing, which is to put colors side by side, instead of mixing them together. Viewed from a far-ish distance, the colors visually mix. Viewed a bit closer up, the difference in colors visually pop and vibrate, giving the sensation or the impression of light. Think …
[image_with_animation image_url=”9160″ alignment=”” animation=”Fade In” box_shadow=”none” max_width=”100%”] Siobhán Wilder, Indian Alley, oil on panel, 10×8″ League painter Siobhán Wilder was chosen for an online critique through Clara Lieu’s Art Prof site, which now offers critiques for artists. Clara Lieu is an adjunct professor at RISD and the critique was given by Lieu’s associate Lauryn Welch, painter and performance …
Casey Klahn: Color, Unity, & Form
I posted a V-Note about Casey Klahn’s pastels a while ago, and received a letter of thanks from him. We chatted a bit and I asked him if he’d be willing to teach a workshop at our new school. He asked about the students and the space, and I described us as a puppy with big feet. He agreed to join us, and has already started promotions. I’m thrilled the League is hosting Casey Klahn for a workshop on Color, Unity & Form March 4/5 2017.
Casey Klahn
Casey Klahn is an American artist born in 1958 in Hoquiam, Washington, and now living in Davenport. He drew as a child, but only became a professional artist some 15 years ago. He is in the main self-taught, but did take the Norman Rockwell Famous Artist School Correspondence Course for Talented Young People (that is some handle!) when about 11 or 12 years old, which he still values highly. He has attended some workshops, and now teaches fine art workshops on his own New School Color, from Boston to Denver, Durango, Portland, Seattle, to Georgia.
Casey explains: “New School Color is my way of describing new expressions in colorism similar to Fauvism but exploring the new. Contemporary colors are more numerous than either the Fauvists or van Gogh had available. We are in a new era in that regard. I wish to explore what new things may be said with color.” Often surprising in the use of colors, his palette is up-to-the-minute. His visual ideas extend the explosion in art that began over a century ago with Modern painters such as Cezanne, van Gogh and Matisse. Currently not a physical construction of bricks and mortar or an organized school, the New School Color is more a conceptual entity, but who knows what the future may hold as Casey’s influence spreads, as he garners more students and followers.
Pastels are the oldest colored medium, the purest form of pigment, and there are far more colors available today than at any other time in history. So what do you do with all that color? How do you infuse joyful expressionism, while maintaining unity and form? In this class, students will enjoy an in-depth exploration of the properties of color, and learn about Colorist and Tonalist art.
Casey’s workshop includes painting demonstrations, short visual lectures, easel and formal group critiques, and plenty of student painting time.
Casey Klahn and Paul Cezanne
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Matisse Sketches
I chose these sketches specifically to look at how vine charcoal can be used in a drawing to talk about change, movement and time. Vine charcoal is a lovely medium. It’s just a simple burnt branch, and it allows the artist to make a line, smudge it out, and make another. The dark lyrical lines …
CALL FOR ART: Printmaker’s Show March 23/24
Details: Deadline for Delivery of Work: March 19, 2019 Show Dates: March 23/24 2019 Deadline for Pickup: April 2, 2019. Artworks remaining after April 3rd will be donated to charity. Drop off and pick up times: Monday 10:00-2:00, Tuesday 10:00am – 5:00pm, 6:00-10:00pm Submission Requirements: Must be currently in a class at the Seattle Artist League, or a League member. …
Broken Color
One way to use broken color is to create optical color mixing, which is to put colors side by side, instead of mixing them together. Viewed from a far-ish distance, the colors visually mix. Viewed a bit closer up, the difference in colors visually pop and vibrate, giving the sensation or the impression of light. Think …
Siobhán Wilder’s Critique
[image_with_animation image_url=”9160″ alignment=”” animation=”Fade In” box_shadow=”none” max_width=”100%”] Siobhán Wilder, Indian Alley, oil on panel, 10×8″ League painter Siobhán Wilder was chosen for an online critique through Clara Lieu’s Art Prof site, which now offers critiques for artists. Clara Lieu is an adjunct professor at RISD and the critique was given by Lieu’s associate Lauryn Welch, painter and performance …