The ability to simplify means to eliminate the unnecessary so that the necessary may speak. – Hans Hoffman
I wrote a V-Note September 19, 2016 about simplification and massing. You can read it here.
Today’s V-Note:
Marc Bohne
One of the (many) reasons I struggle to paint outside is that I get so danged overwhelmed by everything. There’s just too much beautiful and interesting stuff out there. Too danged much potential. I go out there, I get god-smacked by the majesty and distracted by the details, and then I end up with an indecisive composition. It’s easy to underestimate the editing it takes to make “simple” landscape paintings. Marc Bohne is a master of simplification. Notice his massing (grouped and simplified forms). He makes it look as if it was the obvious choice, but if you’ve stood in our Northwest landscape with the intention of painting you know how complicated all those editing choices can be.
I encourage you to see this show. “Paintings of Ireland” is right here in Magnuson Park. I haven’t seen the show yet, so when I tell you to see the show I’m a hypocrite. So for the busy and the lazy of us, I encourage you to click this link. Howz that for simplicity?
Cheers.
Marc Bohne
Paintings of Ireland
Through December 17, 2016
Dawn Sky Near Ballina, 8 x 10 inches, oil on panel
Paintings of Ireland — October 23 – December 17, 2016
Magnuson Park Gallery
Building 30 West
7448 63rd Avenue NE
Seattle, WA 98115
Gallery Hours: spaceatmagnuson.org
Closing Reception: December 15th, 5-8pm
Marc Bohne has visited Ireland for extended stays for the last two decades, deepening his affinity for Ireland and its rugged and beautiful landscape and to explore his own Irish roots. This exhibition is largely the result of two awarded artist residencies.
The first was a fellowship at the Ballinglen Foundation, in the town of Ballycastle, on the south shore of the Bay of Donegal, County Mayo. The second was the 2011 Clare Short Ireland Residency awarded by Artist Trust through the generosity of Rob Short and Emer Dooley, and was spent in Kilcrohane, County Cork. The exhibition presents a unified body of work, as the whole of the conversation with the place and time, and associated deep personal meaning. Marc sees the whole of his painting as conversations with places, rather than documentation, and these are those conversations.
Donation to Artist Trust
Marc is grateful for the support he has received from Artist Trust and will donate proceeds from the sale of Down Toward Bantry Bay directly to Artist Trust.
As a young child, Pippin attended a segregated one-room school in Goshen, New York. When he was ten years old, he answered a magazine advertisement and received a box of crayon pencils, paint, and two brushes. At age 15 Pippin left school to care for his ailing mother. She died when he was 23, and …
Demos Master sumi-e painter Angie Dixon demonstrates the bamboo joint, bone, and leaf brush strokes. Dixon says a great sumi-e painting combines a variety of wet and dry, light and dark, thick and thin brush strokes. She says you can’t fix a brush stroke, but you can enhance it. Beginning Sumi-e Student Work [gallery …
Yesterday I posted drawings by Stanley Lewis. Lewis was one of the influences listed by Charity Baker at the New York Studio School. Looking through Lewis’ art and writing, I found an interview on Painting Perceptions that talked about his methods, and his influences: “[Painting from perception] often feels like a horribly impossible thing to …
Thank you to Claire Putney for introducing us to the work of Matthew Cusick. [image_with_animation image_url=”5955″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Matthew Cusick “Cusick uses atlases for his powerful collages, uniting pieces of the landscape that are actually quite far apart to create his own new world. Armed with scissors and a craft knife, the artist …
Marc Bohne’s Paintings of Ireland
The ability to simplify means to eliminate the unnecessary so that the necessary may speak. – Hans Hoffman
I wrote a V-Note September 19, 2016 about simplification and massing. You can read it here.
Today’s V-Note:
Marc Bohne
One of the (many) reasons I struggle to paint outside is that I get so danged overwhelmed by everything. There’s just too much beautiful and interesting stuff out there. Too danged much potential. I go out there, I get god-smacked by the majesty and distracted by the details, and then I end up with an indecisive composition. It’s easy to underestimate the editing it takes to make “simple” landscape paintings. Marc Bohne is a master of simplification. Notice his massing (grouped and simplified forms). He makes it look as if it was the obvious choice, but if you’ve stood in our Northwest landscape with the intention of painting you know how complicated all those editing choices can be.
I encourage you to see this show. “Paintings of Ireland” is right here in Magnuson Park. I haven’t seen the show yet, so when I tell you to see the show I’m a hypocrite. So for the busy and the lazy of us, I encourage you to click this link. Howz that for simplicity?
Cheers.
Marc Bohne
Paintings of Ireland
Through December 17, 2016
Dawn Sky Near Ballina, 8 x 10 inches, oil on panel
Paintings of Ireland — October 23 – December 17, 2016
Magnuson Park Gallery
Building 30 West
7448 63rd Avenue NE
Seattle, WA 98115
Gallery Hours: spaceatmagnuson.org
Closing Reception: December 15th, 5-8pm
Marc Bohne has visited Ireland for extended stays for the last two decades, deepening his affinity for Ireland and its rugged and beautiful landscape and to explore his own Irish roots. This exhibition is largely the result of two awarded artist residencies.
The first was a fellowship at the Ballinglen Foundation, in the town of Ballycastle, on the south shore of the Bay of Donegal, County Mayo. The second was the 2011 Clare Short Ireland Residency awarded by Artist Trust through the generosity of Rob Short and Emer Dooley, and was spent in Kilcrohane, County Cork. The exhibition presents a unified body of work, as the whole of the conversation with the place and time, and associated deep personal meaning. Marc sees the whole of his painting as conversations with places, rather than documentation, and these are those conversations.
Donation to Artist Trust
Marc is grateful for the support he has received from Artist Trust and will donate proceeds from the sale of Down Toward Bantry Bay directly to Artist Trust.
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As a young child, Pippin attended a segregated one-room school in Goshen, New York. When he was ten years old, he answered a magazine advertisement and received a box of crayon pencils, paint, and two brushes. At age 15 Pippin left school to care for his ailing mother. She died when he was 23, and …
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Demos Master sumi-e painter Angie Dixon demonstrates the bamboo joint, bone, and leaf brush strokes. Dixon says a great sumi-e painting combines a variety of wet and dry, light and dark, thick and thin brush strokes. She says you can’t fix a brush stroke, but you can enhance it. Beginning Sumi-e Student Work [gallery …
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