In the first of four lectures with the BBC, recorded in front of an audience at Tate Modern in London, the artist Grayson Perry reflects on the idea of quality and examines who and what defines what we see and value as art. He argues that there is no empirical way to judge quality in art. Instead the validation of quality rests in the hands of a tightknit group of people at the heart of the art world including curators, dealers, collectors and critics who decide in the end what ends up in galleries and museums. Often the last to have a say are the public.
Perry examines the words and language that have developed around art critique, including what he sees as the growing tendency to over-intellectualise the response to art. He analyses the art market and quotes – with some irony – an insider who says that certain colours sell better than others. He queries whether familiarity makes us like certain artworks more, and encourages the public to learn to appreciate different forms of art through exploration and open-mindedness.
Perry was awarded the Turner Prize in 2003, and is known for his ceramic works, printmaking, drawing, sculpture and tapestry as well as for his cross-dressing and alter-ego, Claire.
The Reith lectures are presented and chaired by Sue Lawley.
Producer: Jim Frank.
Source: http://www.bbc.co.uk/programmes/b03969vt
Seattle Artist League: art school, art classes, painting classes, figure drawing
I’m seeing fabulous creatives out there! This is so fun! To see what people have made, search Instagram for #30SAL and click “most recent.” To learn more about the 30SAL Challenge, click here. Today’s challenge: It’s all going downhill! Make a composition emphasizing a strong diagonal. Media is artist’s choice. You can draw, paint, print, collage, …
I’m currently reading the The Uninhabitable Earth by David Wallace-Wells. I wouldn’t wish the book or the subject on anyone, were it not imperative. In Seattle, the temperature typically varies from 37°F to 79°F, and right now we’re setting unpresidented records for heat, day after day, so it’s seeming especially imperative today. “In Seattle, where …
We received a second postcard from Thailand! Nikki Barber, the League’s printmaking instructor is spending one month as a studio-based artist in residence at Rajamangala University in Chiang Mai. There, she is able to interact directly with students, faculty, and Thai artists, experiencing the technical differences between Seattle and Chiang Mai printmaking techniques. Nikki sent us another “postcard” via …
Sometimes I wonder what it might be like to draw or paint by following a series of set instructions, like a musician follows sheet music. Today is “see and respond” day in our 30 Day Challenge. Actually today it will be “respond and see” day, because our cues come from one of Sol LeWitt’s instructions …
Democracy Has Bad Taste
In the first of four lectures with the BBC, recorded in front of an audience at Tate Modern in London, the artist Grayson Perry reflects on the idea of quality and examines who and what defines what we see and value as art. He argues that there is no empirical way to judge quality in art. Instead the validation of quality rests in the hands of a tightknit group of people at the heart of the art world including curators, dealers, collectors and critics who decide in the end what ends up in galleries and museums. Often the last to have a say are the public.
Perry examines the words and language that have developed around art critique, including what he sees as the growing tendency to over-intellectualise the response to art. He analyses the art market and quotes – with some irony – an insider who says that certain colours sell better than others. He queries whether familiarity makes us like certain artworks more, and encourages the public to learn to appreciate different forms of art through exploration and open-mindedness.
Perry was awarded the Turner Prize in 2003, and is known for his ceramic works, printmaking, drawing, sculpture and tapestry as well as for his cross-dressing and alter-ego, Claire.
The Reith lectures are presented and chaired by Sue Lawley.
Producer: Jim Frank.
Source: http://www.bbc.co.uk/programmes/b03969vt
Seattle Artist League: art school, art classes, painting classes, figure drawing
Related Posts
Day 3: Daringly Diagonal #30SAL
I’m seeing fabulous creatives out there! This is so fun! To see what people have made, search Instagram for #30SAL and click “most recent.” To learn more about the 30SAL Challenge, click here. Today’s challenge: It’s all going downhill! Make a composition emphasizing a strong diagonal. Media is artist’s choice. You can draw, paint, print, collage, …
16 Ways to Reduce the Carbon Footprint in Your Art Studio
I’m currently reading the The Uninhabitable Earth by David Wallace-Wells. I wouldn’t wish the book or the subject on anyone, were it not imperative. In Seattle, the temperature typically varies from 37°F to 79°F, and right now we’re setting unpresidented records for heat, day after day, so it’s seeming especially imperative today. “In Seattle, where …
Postcard from Thailand: Nikki teaching at Rajamangala University
We received a second postcard from Thailand! Nikki Barber, the League’s printmaking instructor is spending one month as a studio-based artist in residence at Rajamangala University in Chiang Mai. There, she is able to interact directly with students, faculty, and Thai artists, experiencing the technical differences between Seattle and Chiang Mai printmaking techniques. Nikki sent us another “postcard” via …
30SAL Challenge: Instructions for Drawing #118
Sometimes I wonder what it might be like to draw or paint by following a series of set instructions, like a musician follows sheet music. Today is “see and respond” day in our 30 Day Challenge. Actually today it will be “respond and see” day, because our cues come from one of Sol LeWitt’s instructions …