In the first of four lectures with the BBC, recorded in front of an audience at Tate Modern in London, the artist Grayson Perry reflects on the idea of quality and examines who and what defines what we see and value as art. He argues that there is no empirical way to judge quality in art. Instead the validation of quality rests in the hands of a tightknit group of people at the heart of the art world including curators, dealers, collectors and critics who decide in the end what ends up in galleries and museums. Often the last to have a say are the public.
Perry examines the words and language that have developed around art critique, including what he sees as the growing tendency to over-intellectualise the response to art. He analyses the art market and quotes – with some irony – an insider who says that certain colours sell better than others. He queries whether familiarity makes us like certain artworks more, and encourages the public to learn to appreciate different forms of art through exploration and open-mindedness.
Perry was awarded the Turner Prize in 2003, and is known for his ceramic works, printmaking, drawing, sculpture and tapestry as well as for his cross-dressing and alter-ego, Claire.
The Reith lectures are presented and chaired by Sue Lawley.
Producer: Jim Frank.
Source: http://www.bbc.co.uk/programmes/b03969vt
Seattle Artist League: art school, art classes, painting classes, figure drawing
Artist Talk Nikki Barber on the Scientific Method TODAY! January 28th 2019, 5:30-7:00pm Bellevue College, Gallery Space D271 Science and art are not mutually exclusive. Both are used to explain and make sense of the world around us. Nikki uses her strong scientific background in biology and art to develop her printmaking process, and uses …
How did it happen that all of our drawings and paintings are in rectangles? In my online figure drawing class last Sunday, I showed drawings by Matisse, Modigliani, and the very Matisse-like Pierre Boncompain. I talked about positioning the figure within the rectangle, thinking about how the shape of the figure and the shape of …
Last Thursday I posted over 100 orange artworks. Now there are more! Image right: A Dalecarlian horse is a traditional carved, painted wooden statue of a horse originating in the Swedish province of Dalarna (Dalecarlia). Several different types of Dalecarlian horses are made, with distinguishing features common to the locality of the site where they are produced. This one is from around 1950 and is …
Sketches in Charcoal Continued from Yesterday…. William Scott William Scott (1913 – 1989) British artist, known for still-life and abstract painting. He is the most internationally celebrated of 20th-century Ulster painters. (wikipedia) From Yesterday: Inspired by my recent trip to see the Diebenkorn/Matisse exhibit, I chose these drawings specifically to share how vine charcoal can be …
Democracy Has Bad Taste
In the first of four lectures with the BBC, recorded in front of an audience at Tate Modern in London, the artist Grayson Perry reflects on the idea of quality and examines who and what defines what we see and value as art. He argues that there is no empirical way to judge quality in art. Instead the validation of quality rests in the hands of a tightknit group of people at the heart of the art world including curators, dealers, collectors and critics who decide in the end what ends up in galleries and museums. Often the last to have a say are the public.
Perry examines the words and language that have developed around art critique, including what he sees as the growing tendency to over-intellectualise the response to art. He analyses the art market and quotes – with some irony – an insider who says that certain colours sell better than others. He queries whether familiarity makes us like certain artworks more, and encourages the public to learn to appreciate different forms of art through exploration and open-mindedness.
Perry was awarded the Turner Prize in 2003, and is known for his ceramic works, printmaking, drawing, sculpture and tapestry as well as for his cross-dressing and alter-ego, Claire.
The Reith lectures are presented and chaired by Sue Lawley.
Producer: Jim Frank.
Source: http://www.bbc.co.uk/programmes/b03969vt
Related Posts
Using the Scientific Method to Inform the Creative Process
Artist Talk Nikki Barber on the Scientific Method TODAY! January 28th 2019, 5:30-7:00pm Bellevue College, Gallery Space D271 Science and art are not mutually exclusive. Both are used to explain and make sense of the world around us. Nikki uses her strong scientific background in biology and art to develop her printmaking process, and uses …
Figures on Vessels: Pierre Boncompain
How did it happen that all of our drawings and paintings are in rectangles? In my online figure drawing class last Sunday, I showed drawings by Matisse, Modigliani, and the very Matisse-like Pierre Boncompain. I talked about positioning the figure within the rectangle, thinking about how the shape of the figure and the shape of …
More Orange Artworks
Last Thursday I posted over 100 orange artworks. Now there are more! Image right: A Dalecarlian horse is a traditional carved, painted wooden statue of a horse originating in the Swedish province of Dalarna (Dalecarlia). Several different types of Dalecarlian horses are made, with distinguishing features common to the locality of the site where they are produced. This one is from around 1950 and is …
William Scott’s Sketches
Sketches in Charcoal Continued from Yesterday…. William Scott William Scott (1913 – 1989) British artist, known for still-life and abstract painting. He is the most internationally celebrated of 20th-century Ulster painters. (wikipedia) From Yesterday: Inspired by my recent trip to see the Diebenkorn/Matisse exhibit, I chose these drawings specifically to share how vine charcoal can be …