In the first of four lectures with the BBC, recorded in front of an audience at Tate Modern in London, the artist Grayson Perry reflects on the idea of quality and examines who and what defines what we see and value as art. He argues that there is no empirical way to judge quality in art. Instead the validation of quality rests in the hands of a tightknit group of people at the heart of the art world including curators, dealers, collectors and critics who decide in the end what ends up in galleries and museums. Often the last to have a say are the public.
Perry examines the words and language that have developed around art critique, including what he sees as the growing tendency to over-intellectualise the response to art. He analyses the art market and quotes – with some irony – an insider who says that certain colours sell better than others. He queries whether familiarity makes us like certain artworks more, and encourages the public to learn to appreciate different forms of art through exploration and open-mindedness.
Perry was awarded the Turner Prize in 2003, and is known for his ceramic works, printmaking, drawing, sculpture and tapestry as well as for his cross-dressing and alter-ego, Claire.
The Reith lectures are presented and chaired by Sue Lawley.
Producer: Jim Frank.
Source: http://www.bbc.co.uk/programmes/b03969vt
Seattle Artist League: art school, art classes, painting classes, figure drawing
Take a class with SAL – anywhere! Previously, I posted funerary art from the 3rd through the 6th centuries. This post veers far out of that time range, but the unfinished Atlas Slave came up in discussion during today’s figure sculpture class. I got excited to share, so here they are. In 1505, Michelangelo was …
Welcome to Day 2 of the 30SAL Challenge! To learn more about the 30SAL Challenge, click here. Today’s 30SAL Challenge is a creative idea from Seattle Artist League instructor Charity Baker. First, tone a piece of paper as dark as you can with soft willow charcoal. You might find that paper with some tooth or …
[image_with_animation image_url=”11209″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Thank you for the Salish Sea art submissions! My inbox has been pinging with new and interesting artworks from all of you. I welcome all these flora, fauna, maps, and memories. I hear a few of you need a couple more days to get your artworks finished, so I’m …
Take a class with SAL – anywhere! In a V. Note from November 2016, I shared “Democracy Has Bad Taste”, and an audio interview on BBC with Grayson Perry. I’ve had pottery on the brain lately (I’m excited for our ceramics studio to open) so today I’m looping back to share some of Perry’s pottery. …
Democracy Has Bad Taste
In the first of four lectures with the BBC, recorded in front of an audience at Tate Modern in London, the artist Grayson Perry reflects on the idea of quality and examines who and what defines what we see and value as art. He argues that there is no empirical way to judge quality in art. Instead the validation of quality rests in the hands of a tightknit group of people at the heart of the art world including curators, dealers, collectors and critics who decide in the end what ends up in galleries and museums. Often the last to have a say are the public.
Perry examines the words and language that have developed around art critique, including what he sees as the growing tendency to over-intellectualise the response to art. He analyses the art market and quotes – with some irony – an insider who says that certain colours sell better than others. He queries whether familiarity makes us like certain artworks more, and encourages the public to learn to appreciate different forms of art through exploration and open-mindedness.
Perry was awarded the Turner Prize in 2003, and is known for his ceramic works, printmaking, drawing, sculpture and tapestry as well as for his cross-dressing and alter-ego, Claire.
The Reith lectures are presented and chaired by Sue Lawley.
Producer: Jim Frank.
Source: http://www.bbc.co.uk/programmes/b03969vt
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Michelangelo’s unfinished slaves
Take a class with SAL – anywhere! Previously, I posted funerary art from the 3rd through the 6th centuries. This post veers far out of that time range, but the unfinished Atlas Slave came up in discussion during today’s figure sculpture class. I got excited to share, so here they are. In 1505, Michelangelo was …
Day 2: Walk the Line #30SAL
Welcome to Day 2 of the 30SAL Challenge! To learn more about the 30SAL Challenge, click here. Today’s 30SAL Challenge is a creative idea from Seattle Artist League instructor Charity Baker. First, tone a piece of paper as dark as you can with soft willow charcoal. You might find that paper with some tooth or …
Salish Sea Artworks – Deadline Extended
[image_with_animation image_url=”11209″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Thank you for the Salish Sea art submissions! My inbox has been pinging with new and interesting artworks from all of you. I welcome all these flora, fauna, maps, and memories. I hear a few of you need a couple more days to get your artworks finished, so I’m …
Grayson Perry’s Pottery
Take a class with SAL – anywhere! In a V. Note from November 2016, I shared “Democracy Has Bad Taste”, and an audio interview on BBC with Grayson Perry. I’ve had pottery on the brain lately (I’m excited for our ceramics studio to open) so today I’m looping back to share some of Perry’s pottery. …