R.B. Kitaj was an American artist who championed figuration in the aftermath of expressionism. Kitaj was an influential figure in the London art scene and was intimate with Lucian Freud and Francis Bacon, coining the term “London School” for this group. His art was unabashedly erudite and often accompanied with explanatory obscure texts that many critics saw as a testament to the artist’s egoism.
The art of Kitaj is characterized by his insatiable intellect and excellent draughtsmanship. The art critic Robert Hughes wrote that “[he] draws better than almost anyone else alive.” His works are preoccupied with history and attempt to make the viewer aware of the historical reality of their situation. Kitaj linked past to present with a sometimes overwhelming array of references to paintings by artists such as Motherwell, Van Gogh, Degas, Cezanna and Michelangelo and the writings of figures ranging from Frakz Kafka to mystics such as Ramon Lull and philosophers like Erasmus and Nietzsche. His travels in Europe shortly after WWII had a profound influence on his “Jewishness” and his art.
Read more about Kitaj on the original post here. Check it out.
There’s a lot of illuminating information on this page.
Cecil Court, London W.C.2. (The Refugees) 1983-4 R.B. Kitaj 1932-2007 Purchased 1985 http://www.tate.org.uk/art/work/T04115
“I have no idea how to finish a picture… I don’t see any reason why you should finish a picture, for instance, because I’m not finished with my life I see no reason why I should be finished with a picture.” – Ronald Kitaj
Below: 3 minute video of Kitaj interviewed in his studio, cuts off a bit at the end, but still lovely. https://youtu.be/0VpkLS1Baxo Below: 10 minute video showing still images of Kitaj’s paintings. Some great paintings, some just meh, and some are absolutely awful. It’s as if the video maker went into Kitaj’s studio and gathered up whatever was on the walls, the tables, and in the garbage bin, then displayed them all equally. Fantastic!
[image_with_animation image_url=”8191″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Nikki Barber Printmaking in Thailand Our wonderful printmaking instructor Nikki Barber is on another artist’s pilgrimage to Northern Thailand. She’s spending one month as a studio-based artist in residence at Rajamangala University in Chiang Mai. There, she is able to interact directly with students, faculty, and Thai artists, experiencing the technical differences …
Exercise your creativity This SAL Challenge is a vocabulary based creative challenge every day for January. Materials are artist’s choice. You can draw, paint, sew, collage, sculpt your food, anything you want. See below for today’s creative challenge. Set the timer for 20 minutes and see what happens. UNDER-PINNERS Victorian slang for your legs. #salchallenge …
Every week in figure drawing I teach a different drawing approach. Today was straight line measures; which always feels to beginners like they’re getting tangled up in bicycle spokes, but it’s invaluable and even relaxing for returning students. The basic idea of straight line measures is that you use straight lines to measure out the …
In art, to transcribe is to copy or record information in a different form than the original. To transcribe a painting or drawing is not to copy the artwork exactly, but instead to record observations in a different form. A transcription also doesn’t need to copy everything in an original. An artist can choose to …
R. B. Kitaj
R. B. Kitaj
1932 – 2007
Edited from https://artbios.net/5-en.html
R.B. Kitaj was an American artist who championed figuration in the aftermath of expressionism. Kitaj was an influential figure in the London art scene and was intimate with Lucian Freud and Francis Bacon, coining the term “London School” for this group. His art was unabashedly erudite and often accompanied with explanatory obscure texts that many critics saw as a testament to the artist’s egoism.
The art of Kitaj is characterized by his insatiable intellect and excellent draughtsmanship. The art critic Robert Hughes wrote that “[he] draws better than almost anyone else alive.” His works are preoccupied with history and attempt to make the viewer aware of the historical reality of their situation. Kitaj linked past to present with a sometimes overwhelming array of references to paintings by artists such as Motherwell, Van Gogh, Degas, Cezanna and Michelangelo and the writings of figures ranging from Frakz Kafka to mystics such as Ramon Lull and philosophers like Erasmus and Nietzsche. His travels in Europe shortly after WWII had a profound influence on his “Jewishness” and his art.
Read more about Kitaj on the original post here. Check it out.
There’s a lot of illuminating information on this page.
Below: 3 minute video of Kitaj interviewed in his studio, cuts off a bit at the end, but still lovely. https://youtu.be/0VpkLS1Baxo Below: 10 minute video showing still images of Kitaj’s paintings. Some great paintings, some just meh, and some are absolutely awful. It’s as if the video maker went into Kitaj’s studio and gathered up whatever was on the walls, the tables, and in the garbage bin, then displayed them all equally. Fantastic!
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