R.B. Kitaj was an American artist who championed figuration in the aftermath of expressionism. Kitaj was an influential figure in the London art scene and was intimate with Lucian Freud and Francis Bacon, coining the term “London School” for this group. His art was unabashedly erudite and often accompanied with explanatory obscure texts that many critics saw as a testament to the artist’s egoism.
The art of Kitaj is characterized by his insatiable intellect and excellent draughtsmanship. The art critic Robert Hughes wrote that “[he] draws better than almost anyone else alive.” His works are preoccupied with history and attempt to make the viewer aware of the historical reality of their situation. Kitaj linked past to present with a sometimes overwhelming array of references to paintings by artists such as Motherwell, Van Gogh, Degas, Cezanna and Michelangelo and the writings of figures ranging from Frakz Kafka to mystics such as Ramon Lull and philosophers like Erasmus and Nietzsche. His travels in Europe shortly after WWII had a profound influence on his “Jewishness” and his art.
Read more about Kitaj on the original post here. Check it out.
There’s a lot of illuminating information on this page.
Cecil Court, London W.C.2. (The Refugees) 1983-4 R.B. Kitaj 1932-2007 Purchased 1985 http://www.tate.org.uk/art/work/T04115
“I have no idea how to finish a picture… I don’t see any reason why you should finish a picture, for instance, because I’m not finished with my life I see no reason why I should be finished with a picture.” – Ronald Kitaj
Below: 3 minute video of Kitaj interviewed in his studio, cuts off a bit at the end, but still lovely. https://youtu.be/0VpkLS1Baxo Below: 10 minute video showing still images of Kitaj’s paintings. Some great paintings, some just meh, and some are absolutely awful. It’s as if the video maker went into Kitaj’s studio and gathered up whatever was on the walls, the tables, and in the garbage bin, then displayed them all equally. Fantastic!
Tina Kraft is a talented South Florida artist with connections to our besties at the New York Studio School. It was at NYSS where we met many of our great instructors such as Fran O’Neil, Charity Baker, Catherine Lepp, Sam Wade Levy, Shruti Ghatak, and Jonathan Harkham. Our own Keith Pfieffer is currently pursuing his …
There are drips on some drawings, and the drips are round, not running vertically down the paper, which suggests the paper is flat. Some of the drips start right before a line and follow the same direction, which suggests the artist loaded his brush with ink, and the brush dripped down on a horizontal surface …
Today, after skittering around with tasks, I was able to attend Fran’s Giant Figures Workshop, held in the spacious light-filled Drawing and Painting Studios at the Seattle Artist League. Years ago, when Lendy and I looked at this big Equinox warehouse space, we had NYSS style drawing intensives like this in mind, so it was …
Congratulations! You are 10 days in to this 30 day creative challenge. Have you checked Instagram to see what comes up for #30sal? As I write this there are 598 posts! This is so exciting! Who will post #600? There are quite a few on Facebook too! If you did a few of the challenges …
R. B. Kitaj
R. B. Kitaj
1932 – 2007
Edited from https://artbios.net/5-en.html
R.B. Kitaj was an American artist who championed figuration in the aftermath of expressionism. Kitaj was an influential figure in the London art scene and was intimate with Lucian Freud and Francis Bacon, coining the term “London School” for this group. His art was unabashedly erudite and often accompanied with explanatory obscure texts that many critics saw as a testament to the artist’s egoism.
The art of Kitaj is characterized by his insatiable intellect and excellent draughtsmanship. The art critic Robert Hughes wrote that “[he] draws better than almost anyone else alive.” His works are preoccupied with history and attempt to make the viewer aware of the historical reality of their situation. Kitaj linked past to present with a sometimes overwhelming array of references to paintings by artists such as Motherwell, Van Gogh, Degas, Cezanna and Michelangelo and the writings of figures ranging from Frakz Kafka to mystics such as Ramon Lull and philosophers like Erasmus and Nietzsche. His travels in Europe shortly after WWII had a profound influence on his “Jewishness” and his art.
Read more about Kitaj on the original post here. Check it out.
There’s a lot of illuminating information on this page.
Below: 3 minute video of Kitaj interviewed in his studio, cuts off a bit at the end, but still lovely. https://youtu.be/0VpkLS1Baxo Below: 10 minute video showing still images of Kitaj’s paintings. Some great paintings, some just meh, and some are absolutely awful. It’s as if the video maker went into Kitaj’s studio and gathered up whatever was on the walls, the tables, and in the garbage bin, then displayed them all equally. Fantastic!
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