“Winter solitude-
in a world of one color
the sound of the wind.”
― Bashō Matsuo
From yesterday’s post:
As a child, I collected the little cards with Japanese prints that came in ochazuke (breakfast rice soup sprinkles). The compositions were asymmetrical (diagonals!), the illustrations imaginative, and the colors shifted elegantly from the blunt American palette – the inks both vibrant and subtle. I loved them. I knew about Japanese artworks before I knew about the European impressionists who were so inspired by them. I knew the Japanese works so well that the impressionists seemed clumsy and heavy handed compared to the delicate craftsmanship of Japanese artists. Eventually the influence grew conduits in my mind, and I came to appreciate and enjoy both. (More on Japonisme soon.)
Below is a collection of Japanese prints illustrating wind.
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Utagawa Hiroshige: Lightning and Rain at Kameyama
Utagawa Hiroshige: Mie River at Yokkaichi
Utagawa Hiroshige: Mimasaka Province, Yamabushi Valley
Utagawa Hiroshige: Travelers Surprised by a Sudden Gust of Wind
Utagawa Hiroshige: Wind Blown Grass Across the Moon
Utagawa Hiroshige: Along the Eastern Road
Utagawa Hiroshige: Wind-tossed Waves at Seven-Mile Beach
A selection from Keith Pfeiffer’s Tone Class Seven months ago, during our summer in quarantine, eleven League artists set aside their colors and practiced just with light and dark tones. Here are a few of their studies. This is one in a series of posts showcasing a selection of artwork made by League artists during …
I don’t always have the patience to sit down and draw from observation, but whenever I can manage to glue my butt to the chair I am rewarded with an increase in appreciation for the world around me. For me, to see clearly is an active practice of discovery, curiosity, attention, acceptance, problem solving, flexibility, …
[image_with_animation image_url=”6237″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Raymond Pettibon Wiki: Raymond Pettibon (born Raymond Ginn; June 16, 1957) is an American artist who lives and works in New York City. Pettibon came to prominence in the early 1980s in the southern California punk rock scene, creating posters and album art mainly for groups on SST Records, owned and operated by his brother, Greg Ginn. …
Take a class with SAL – anywhere! In previous V. Notes, I’ve posted work by our sumi instructor Angie Dixon, Huang Yongyu, Pan Gongkai, and stuff you didn’t know about sumi. Today I wanted to broaden my view of sumi painting. I wanted to see more works that are being created in the medium today. …
The Sound of the Wind
From yesterday’s post:
As a child, I collected the little cards with Japanese prints that came in ochazuke (breakfast rice soup sprinkles). The compositions were asymmetrical (diagonals!), the illustrations imaginative, and the colors shifted elegantly from the blunt American palette – the inks both vibrant and subtle. I loved them. I knew about Japanese artworks before I knew about the European impressionists who were so inspired by them. I knew the Japanese works so well that the impressionists seemed clumsy and heavy handed compared to the delicate craftsmanship of Japanese artists. Eventually the influence grew conduits in my mind, and I came to appreciate and enjoy both. (More on Japonisme soon.)
Below is a collection of Japanese prints illustrating wind.
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