If I wanted to paint solid, flat, even areas of color without visible brushstrokes I would:
Start with a pre-gessoed smooth panel, or apply your own gesso and wet sand between coats.
Use a soft brush, like a synthetic squirrel tail. (Hint: You’ll need to use thinner paint with a softer brush)
Soft brush still too brushy? Don’t use a brush. Try a spray, roller, squeegee. No? Try pouring the paint or apply cut outs for flat shapes.
Try Golden fluid acrylics instead of heavy body paints.
Choose colors that are opaque, not transparent.
Practice your brush strokes so you land the brush softly, and lift just as smoothly, as if you were landing and taking off in plane. Hard stops and starts leave a lot of brush stroke marks.
Try an acrylic paint extender (slows drying time) and a paint leveler (smooths itself out) like Golden’s Self Leveling Gel.
Try using house paints instead of artist paints (less pigment power, but can be very “flat”)
Apply the paint in several light layers, instead of one thick one.
Lightly sand between coats
Alternate brush stroke directions
Didn’t solve the problem? Consider switching to enamels, or dang it all and paint on a computer.
Image above: Paul Reed, Barcelona 1969
You’re reading a V. Note, written by Ruthie V, the director of the Seattle Artist League. The League is an art school for the busy nurse, tech geek, and mom with a long lost art degree. We offer engaging online classes in drawing and painting. Join us! Find your class:https://www.seattleartistleague.com/product-category/d-online-classes/
[image_with_animation image_url=”9047″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] John Singer Sargent’s portrait of Eleanora Duse When looking at John Singer Sargent’s “effortless” portraits, I often wonder how long he actually spent on each. He wanted the painting to look fresh, with an economy of brush strokes, so a painting that looks like it was done in one …
[image_with_animation image_url=”10600″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Sandro Botticelli, The Birth of Venus (c. 1484-86). Tempera on canvas, 67.9 in × 109.6 in We’ve all seen Botticelli’s Birth of Venus until we could just about throw up. But have you ever noticed the feet? I hadn’t noticed them until recently, now that I’m preparing to teach …
[image_with_animation image_url=”8922″ alignment=”” animation=”Fade In” box_shadow=”none” max_width=”100%”] ARTWORK PICKUP AT GALVANIZE Saturday April 7 10:00am – 12:00pm <– If you can do this it would make less work for us! ARTWORK PICKUP AT THE LEAGUE Thursday April 12 9:30-2:00, 5:30-10:00 Sunday April 15 6:00-6:25 Monday April 16 9:30-2:00, 5:30-10:00 Tuesday April 17 9:30-2:00 Any …
How to Avoid Brush Strokes With Acrylic
If I wanted to paint solid, flat, even areas of color without visible brushstrokes I would:
Image above: Paul Reed, Barcelona 1969
You’re reading a V. Note, written by Ruthie V, the director of the Seattle Artist League. The League is an art school for the busy nurse, tech geek, and mom with a long lost art degree. We offer engaging online classes in drawing and painting. Join us! Find your class: https://www.seattleartistleague.com/product-category/d-online-classes/
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[image_with_animation image_url=”8922″ alignment=”” animation=”Fade In” box_shadow=”none” max_width=”100%”] ARTWORK PICKUP AT GALVANIZE Saturday April 7 10:00am – 12:00pm <– If you can do this it would make less work for us! ARTWORK PICKUP AT THE LEAGUE Thursday April 12 9:30-2:00, 5:30-10:00 Sunday April 15 6:00-6:25 Monday April 16 9:30-2:00, 5:30-10:00 Tuesday April 17 9:30-2:00 Any …