If I wanted to paint solid, flat, even areas of color without visible brushstrokes I would:
Start with a pre-gessoed smooth panel, or apply your own gesso and wet sand between coats.
Use a soft brush, like a synthetic squirrel tail. (Hint: You’ll need to use thinner paint with a softer brush)
Soft brush still too brushy? Don’t use a brush. Try a spray, roller, squeegee. No? Try pouring the paint or apply cut outs for flat shapes.
Try Golden fluid acrylics instead of heavy body paints.
Choose colors that are opaque, not transparent.
Practice your brush strokes so you land the brush softly, and lift just as smoothly, as if you were landing and taking off in plane. Hard stops and starts leave a lot of brush stroke marks.
If you haven’t seen Wayne Thiebaud’s cakes, his gumball jars, the ice cream cones in rows, you simply MUST check them out. They are what made Thiebaud famous, and with good reason. But don’t look here for gumballs and meringues. They are not here. This post has a few of his sketches, and less common …
Dallas Contemporary’s digital exhibition EVERYTHING HURTS opened yesterday, June 16, 2020. In response to the recent murder of George Floyd, Dallas-based artist Jammie Holmes, with the support of Library Street Collective, initiated a public demonstration across-five U.S. cities on Saturday, May 30 between the hours of 11:30am and 9pm EST. Airplanes with banners highlighting Floyd’s …
The chicken paintings featured in this V-Note are by Endre Penovác. The chicken letter that follows was written in 1870, sent to the Poultry Society. The title proclaims it’s a manual about how to raise fine poultry. The content, however, renders itself informational for how to steal birds from your neighbor (or yourself, if you’re an idiot). It was signed by …
[image_with_animation image_url=”7866″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Connectivity Report, System 1 New work by Claire Putney Watercolor, burned maps and text on paper Don’t miss this show, Leaguers! Reception 1st Thursday, Feb 1, 5:00-9:00 Showing through February CORE Gallery 117 Prefontaine Pl S, Seattle, WA 98104 https://www.coregallery.org/ Do you like these unusual effects? Claire Putney is …
How to Avoid Brush Strokes With Acrylic
If I wanted to paint solid, flat, even areas of color without visible brushstrokes I would:
Image above: Paul Reed, Barcelona 1969
Image below: Gene Davis, Apricot Ripple 1968 [image_with_animation image_url=”1923″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”]
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If you haven’t seen Wayne Thiebaud’s cakes, his gumball jars, the ice cream cones in rows, you simply MUST check them out. They are what made Thiebaud famous, and with good reason. But don’t look here for gumballs and meringues. They are not here. This post has a few of his sketches, and less common …
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Dallas Contemporary’s digital exhibition EVERYTHING HURTS opened yesterday, June 16, 2020. In response to the recent murder of George Floyd, Dallas-based artist Jammie Holmes, with the support of Library Street Collective, initiated a public demonstration across-five U.S. cities on Saturday, May 30 between the hours of 11:30am and 9pm EST. Airplanes with banners highlighting Floyd’s …
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The chicken paintings featured in this V-Note are by Endre Penovác. The chicken letter that follows was written in 1870, sent to the Poultry Society. The title proclaims it’s a manual about how to raise fine poultry. The content, however, renders itself informational for how to steal birds from your neighbor (or yourself, if you’re an idiot). It was signed by …
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