In these drawings Henry Moore describes the aged body. He made a series of drawings of his own hands when he was eighty-one and suffering from ill-health, and he did more of Dorothy Crowfoot Hodgkin’s gnarled joints. ‘Hands can convey so much’ he said, ‘they can beg or refuse, take or give, be open or clenched, show content or anxiety. They can be young or old, beautiful or deformed’.
Moore believed his prints were part of a larger history of sculpture and painting, in which artists have shown feelings through their portrayal of hands.
The Artist’s Hand IV 1979 Henry Moore OM, CH 1898-1986 Presented by the Henry Moore Foundation 1986 http://www.tate.org.uk/art/work/P02910
The Artist’s Hand II 1979 Henry Moore OM, CH 1898-1986 Presented by the Henry Moore Foundation 1986 http://www.tate.org.uk/art/work/P02908
The Artist’s Hand V 1979 Henry Moore OM, CH 1898-1986 Presented by the Henry Moore Foundation 1986 http://www.tate.org.uk/art/work/P02911
The Artist’s Hand I 1979 Henry Moore OM, CH 1898-1986 Presented by the Henry Moore Foundation 1986 http://www.tate.org.uk/art/work/P02907
The Artist’s Hand III 1979 Henry Moore OM, CH 1898-1986 Presented by the Henry Moore Foundation 1986 http://www.tate.org.uk/art/work/P02909
Hands I 1973 Henry Moore OM, CH 1898-1986 Presented by the artist 1975 http://www.tate.org.uk/art/work/P02190
Hands II 1973 Henry Moore OM, CH 1898-1986 Presented by the artist 1975 http://www.tate.org.uk/art/work/P02191
Hands of Dorothy Crowfoot Hodgkin II 1978 Henry Moore OM, CH 1898-1986 Presented by the Henry Moore Foundation 1982 http://www.tate.org.uk/art/work/P02643
Hands of Dorothy Crowfoot Hodgkin V 1978 Henry Moore OM, CH 1898-1986 Presented by the Henry Moore Foundation 1982 http://www.tate.org.uk/art/work/P02646
Hands of Dorothy Crowfoot Hodgkin III 1978 Henry Moore OM, CH 1898-1986 Presented by the Henry Moore Foundation 1982 http://www.tate.org.uk/art/work/P02644
Interested in studying sumi-e painting? Angie Dixons’ top recommended book for beginning is The Sumi-e Book by Yolanda Mayhall. The information in The Sumi-e Book is very good and accessible, and books and youtube are great for learning sumi-e but, Dixon says, students really need to have the pressure of a teacher. Today’s Beginning Sumi-e workshop …
My last post containing a list of frustrations for painters included a picture of Susan Rothenberg. She was painting from her table that was so encrusted with accumulated paint that it resembled the cascade mountains. This post with the picture of Rothenberg bounced back with a note from a League friend. She asked me if …
One year ago in March, to protect our students and teachers from a new coronavirus, the Seattle Artist League moved our classes online. The virus was declared a national emergency, and we went into quarantine. We have now been in quarantine for thirteen months. Through this year, we have met each other online to draw, …
Henry Moore: Drawings of Hands
In these drawings Henry Moore describes the aged body. He made a series of drawings of his own hands when he was eighty-one and suffering from ill-health, and he did more of Dorothy Crowfoot Hodgkin’s gnarled joints. ‘Hands can convey so much’ he said, ‘they can beg or refuse, take or give, be open or clenched, show content or anxiety. They can be young or old, beautiful or deformed’.
Moore believed his prints were part of a larger history of sculpture and painting, in which artists have shown feelings through their portrayal of hands.
http://www.tate.org.uk/art/artworks/moore-the-artists-hand-v-p02911
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