In these drawings Henry Moore describes the aged body. He made a series of drawings of his own hands when he was eighty-one and suffering from ill-health, and he did more of Dorothy Crowfoot Hodgkin’s gnarled joints. ‘Hands can convey so much’ he said, ‘they can beg or refuse, take or give, be open or clenched, show content or anxiety. They can be young or old, beautiful or deformed’.
Moore believed his prints were part of a larger history of sculpture and painting, in which artists have shown feelings through their portrayal of hands.
The Artist’s Hand IV 1979 Henry Moore OM, CH 1898-1986 Presented by the Henry Moore Foundation 1986 http://www.tate.org.uk/art/work/P02910
The Artist’s Hand II 1979 Henry Moore OM, CH 1898-1986 Presented by the Henry Moore Foundation 1986 http://www.tate.org.uk/art/work/P02908
The Artist’s Hand V 1979 Henry Moore OM, CH 1898-1986 Presented by the Henry Moore Foundation 1986 http://www.tate.org.uk/art/work/P02911
The Artist’s Hand I 1979 Henry Moore OM, CH 1898-1986 Presented by the Henry Moore Foundation 1986 http://www.tate.org.uk/art/work/P02907
The Artist’s Hand III 1979 Henry Moore OM, CH 1898-1986 Presented by the Henry Moore Foundation 1986 http://www.tate.org.uk/art/work/P02909
Hands I 1973 Henry Moore OM, CH 1898-1986 Presented by the artist 1975 http://www.tate.org.uk/art/work/P02190
Hands II 1973 Henry Moore OM, CH 1898-1986 Presented by the artist 1975 http://www.tate.org.uk/art/work/P02191
Hands of Dorothy Crowfoot Hodgkin II 1978 Henry Moore OM, CH 1898-1986 Presented by the Henry Moore Foundation 1982 http://www.tate.org.uk/art/work/P02643
Hands of Dorothy Crowfoot Hodgkin V 1978 Henry Moore OM, CH 1898-1986 Presented by the Henry Moore Foundation 1982 http://www.tate.org.uk/art/work/P02646
Hands of Dorothy Crowfoot Hodgkin III 1978 Henry Moore OM, CH 1898-1986 Presented by the Henry Moore Foundation 1982 http://www.tate.org.uk/art/work/P02644
In my current series of abstraction classes, each week we focus on a single element of art. Honing in like this allows us to explore different ways into a painting or drawing. By narrowing down, we are able to go farther into an idea. These projects were made in response to a class on line …
[image_with_animation image_url=”10543″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] There is something so danged exciting about making a big piece of art. I mean, a really really big piece of art. The work to make a visual design, which is most of the art process, does not usually change much. The labor can involve some different tools, some …
Every week in figure drawing I teach a different drawing approach. Today was straight line measures; which always feels to beginners like they’re getting tangled up in bicycle spokes, but it’s invaluable and even relaxing for returning students. The basic idea of straight line measures is that you use straight lines to measure out the …
My apologies, this V. Note is as fresh as a brown banana. I’ve been a little busy getting ready for my show, and this V. Note lost its freshness. Sorry. Did you know right before Banksy popped his shenanigan, Jenny Saville broke a major record? Jenny Saville Painting Sells for $12.4 M. at Sotheby’s London, …
Henry Moore: Drawings of Hands
In these drawings Henry Moore describes the aged body. He made a series of drawings of his own hands when he was eighty-one and suffering from ill-health, and he did more of Dorothy Crowfoot Hodgkin’s gnarled joints. ‘Hands can convey so much’ he said, ‘they can beg or refuse, take or give, be open or clenched, show content or anxiety. They can be young or old, beautiful or deformed’.
Moore believed his prints were part of a larger history of sculpture and painting, in which artists have shown feelings through their portrayal of hands.
http://www.tate.org.uk/art/artworks/moore-the-artists-hand-v-p02911
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