Sculptors think in terms of mass, volume, weight and texture. Those elements are present even in their 2D work. Henry Moore (1898 – 1986) is known mainly for his sculptures, but he also made a few voluminous sketches. Take a look at this series of sheep. They have mass, volume, mood, weight and texture. Notice there is nothing flat about these sketches, and with all the line work, there is not a single outline. Moore wrote: “Then I began to realize that underneath all that wool was a body, which moved in its own way, and that each sheep had its individual character.” (1980)
You’re reading a V. Note, written by Ruthie V, the director of the Seattle Artist League. The League is an art school for the busy nurse, tech geek, and mom with a long lost art degree. We offer engaging online classes in drawing and painting. Join us! Find your class:https://www.seattleartistleague.com/product-category/d-online-classes/
Sheep with Lamb III 1972 Henry Moore OM, CH 1898-1986 Presented by the artist 1975 http://www.tate.org.uk/art/work/P02229
Sheep with Lamb IV 1972 Henry Moore OM, CH 1898-1986 Presented by the artist 1975 http://www.tate.org.uk/art/work/P02236
[image_with_animation image_url=”9075″ alignment=”” animation=”Fade In” box_shadow=”none” max_width=”100%”] Hiroshige lived from 1797 – 1858 in Edo (now Tokyo), Japan. He was a Japanese woodblock artist, one of the last great masters …
What can one detail tell us about a scene? If you’re Lynne Ramsay: absolutely everything. In this episode from “Every Frame a Painting” Tony Zhou considers the poetic possibilities of cinema. …
[image_with_animation image_url=”8351″ alignment=”center” animation=”Fade In” box_shadow=”none” max_width=”100%”] Antoni Tapies, a Catalan painter (1923-2012) added texture to modern abstraction with his mixed material canvasses. His works are defined by the word ‘materico.’ …
Henry Moore: Drawings of Sheep
Sculptors think in terms of mass, volume, weight and texture. Those elements are present even in their 2D work. Henry Moore (1898 – 1986) is known mainly for his sculptures, but he also made a few voluminous sketches. Take a look at this series of sheep. They have mass, volume, mood, weight and texture. Notice there is nothing flat about these sketches, and with all the line work, there is not a single outline. Moore wrote: “Then I began to realize that underneath all that wool was a body, which moved in its own way, and that each sheep had its individual character.” (1980)
You’re reading a V. Note, written by Ruthie V, the director of the Seattle Artist League. The League is an art school for the busy nurse, tech geek, and mom with a long lost art degree. We offer engaging online classes in drawing and painting. Join us! Find your class: https://www.seattleartistleague.com/product-category/d-online-classes/
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