As difficult as it is to get painters to apply enough paint, it’s even harder to get them to take it back off again, unless they’re trying to rub out a mistake. The “Lift Up” or “Wipe Out” method is not for obliterating mistakes, it’s a fast way to shape light and dark values on the canvas. The brush loaded with dark paint makes dark shapes, the “Lift” makes light shapes. See?
The technique is simple: Once the canvas has been covered with a solid layer of dark or medium-dark paint, a lintless cloth or brush can be used to bring back the white of the canvas. The cloth or brush can be dry, or it can be dipped in a bit of odorless mineral spirits (for oil paint) or water (for acrylic paint). This method of painting is similar to watercolor in that the white surface supplies the primary light source, and produces a fresh and glowing effect. The wipe up technique is easy in oils, but it can also be used with acrylics if you’re quick.
Experiment 1: The Wipe Up method is great for underpaintings if you’re starting with thin paint (like the video below), or “alla prima” – painted in one sitting – if you’re starting with thick paint (like mine above).
Experiment 2: This technique has a very different look on white gessoed panel vs white gessoed canvas. Try both surfaces, and see what you like better.
Pictured at the top of this post: My 15 minute demo; a fast study of a self portrait by Eugene Carrier, a Wipe Out champion. For this demo, I used a blue shop towel and then a little titanium white for highlights and solidity.
Video Below: A demo from Georgetown Atelier, in Seattle. www.georgetownatelier.com https://www.youtube.com/watch?v=1I67UYK5y6s This has nothing to do with anything.
This is day 5 of our 30 day creative challenge! To learn more about this 30SAL challenge, click here. Today’s challenge is to create something inspired by the word cacoethes. Media is artist’s choice. Can be pencil, digital collage, or assemblage live alligators. Cacoethes noun: An irresistible urge to do something inadvisable. (kak-oh/uh-WEE-theez) Share your drawing …
Posts have continued to pop up for our 30 Day January Creative Challenge. New people have joined in! Instagram continues to stand out as the social media of choice for most artists – we now have over 1000 posts! Some people are new to social media, some are new to drawing. Everyone is posting stuff …
Rodin’s hands feel more real: …If you’re wondering, yes I was the crazy lady of the day that became all verklempt over the Rodins. I’m told it’s a thing. Interested in hearing more thoughts like this? Take my figure drawing class, or the more sculptural Planes of the Face. I am also teaching drawing camps …
The 1930 Look in British Decoration From 1928 to 1930, a very young Francis Bacon worked in London, Paris and Berlin, designing interiors and pieces of furniture. I found a picture of his interior work – just one picture, and what a thrill to see it. When he was 19, his studio in South Kensington …
The “Wipe Out” Method
As difficult as it is to get painters to apply enough paint, it’s even harder to get them to take it back off again, unless they’re trying to rub out a mistake. The “Lift Up” or “Wipe Out” method is not for obliterating mistakes, it’s a fast way to shape light and dark values on the canvas. The brush loaded with dark paint makes dark shapes, the “Lift” makes light shapes. See?
The technique is simple: Once the canvas has been covered with a solid layer of dark or medium-dark paint, a lintless cloth or brush can be used to bring back the white of the canvas. The cloth or brush can be dry, or it can be dipped in a bit of odorless mineral spirits (for oil paint) or water (for acrylic paint). This method of painting is similar to watercolor in that the white surface supplies the primary light source, and produces a fresh and glowing effect. The wipe up technique is easy in oils, but it can also be used with acrylics if you’re quick.
Experiment 1: The Wipe Up method is great for underpaintings if you’re starting with thin paint (like the video below), or “alla prima” – painted in one sitting – if you’re starting with thick paint (like mine above).
Experiment 2: This technique has a very different look on white gessoed panel vs white gessoed canvas. Try both surfaces, and see what you like better.
Suggested Product:
Blue Shop Towels (from any hardware store)
My 15 minute demo; a fast study of a self portrait by Eugene Carrier, a Wipe Out champion. For this demo, I used a blue shop towel and then a little titanium white for highlights and solidity.
Video Below:
A demo from Georgetown Atelier, in Seattle. www.georgetownatelier.com
https://www.youtube.com/watch?v=1I67UYK5y6s This has nothing to do with anything.
Ruthie teaches art classes at Seattle Artist League. Click here to sign up for drawing, painting, pottery, and more!
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