Dred Scott first went to trial to sue for his freedom in 1847. Ten years later, after a decade of appeals and court reversals, his case was finally brought before the United States Supreme Court. In what is perhaps the most infamous case in its history, the court decided that all people of African ancestry — slaves as well as those who were free — could never become citizens of the United States and therefore could not sue in federal court. The court also ruled that the federal government did not have the power to prohibit slavery in its territories. Scott, needless to say, remained a slave.
DreadScott makes revolutionary art to propel history forward, working in a range of media including performance, photography, screen-printing, video, installation and painting. Dread works in a range of media including performance, photography, screen printing, video, installation and painting. His works can be hard-edged and poignant.
Stop is a 2-channel projected HD video installation by Dread Scott.
Running time: 7 minutes 16 seconds (excerpt 2 minutes 55 seconds)
The installation is a projection on two opposite walls of young men from East New York Brooklyn and Liverpool UK who have been stopped numerous times by the police. In the video each repeatedly states the number of times they have been stopped. Stop was made as part of Postcode Criminals, an international collaboration between Dread Scott, Joanne Kushner and young adults form Brooklyn NY (USA) and Liverpool (UK).
[image_with_animation image_url=”3157″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Kiki MacInnis The Salish Sea (the new name for the Puget Sound) is an ecological treasure, with thousands of natural animal species, many found nowhere else on Earth. There is a great Salish Sea Art & Activism lecture and workshop coming up at the League – the talk is …
I’m in NY, doing a figurative sculpture marathon with Bruce Gagnier at the NY Studio School. I’m three days into a two week intensive, and I’m loving it. One of the topics my instructor presses is contrapposto. I learned about contrapposto at WWU, but I’m understanding the real value of it now. Bruce Gagnier showed me …
Dread Scott vs Dred Scott
Dred Scott first went to trial to sue for his freedom in 1847. Ten years later, after a decade of appeals and court reversals, his case was finally brought before the United States Supreme Court. In what is perhaps the most infamous case in its history, the court decided that all people of African ancestry — slaves as well as those who were free — could never become citizens of the United States and therefore could not sue in federal court. The court also ruled that the federal government did not have the power to prohibit slavery in its territories. Scott, needless to say, remained a slave.
Read more here: http://www.pbs.org/wgbh/
Dread Scott makes revolutionary art to propel history forward, working in a range of media including performance, photography, screen-printing, video, installation and painting. Dread works in a range of media including performance, photography, screen printing, video, installation and painting. His works can be hard-edged and poignant.
Read more here: http://www.dreadscott.
STOP
Stop (excerpt) from Dread Scott on Vimeo.
Stop is a 2-channel projected HD video installation by Dread Scott.
Running time: 7 minutes 16 seconds (excerpt 2 minutes 55 seconds)
The installation is a projection on two opposite walls of young men from East New York Brooklyn and Liverpool UK who have been stopped numerous times by the police. In the video each repeatedly states the number of times they have been stopped. Stop was made as part of Postcode Criminals, an international collaboration between Dread Scott, Joanne Kushner and young adults form Brooklyn NY (USA) and Liverpool (UK).
Related Posts
SAL Challenge: Salish Sea Creature
[image_with_animation image_url=”3157″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Kiki MacInnis The Salish Sea (the new name for the Puget Sound) is an ecological treasure, with thousands of natural animal species, many found nowhere else on Earth. There is a great Salish Sea Art & Activism lecture and workshop coming up at the League – the talk is …
The Dynamic Dance of Contrapposto
I’m in NY, doing a figurative sculpture marathon with Bruce Gagnier at the NY Studio School. I’m three days into a two week intensive, and I’m loving it. One of the topics my instructor presses is contrapposto. I learned about contrapposto at WWU, but I’m understanding the real value of it now. Bruce Gagnier showed me …
Vincent Valdez talks about “The City”
Sunday Comic by Stefan Enriquez