In 1941, Jacob Lawrence, then just twenty-three years old, completed a series of sixty paintings about the Great Migration, the mass movement of African Americans from the rural South to the urban North. Lawrence’s work is a landmark in the history of modern art and a key example of the way that history painting was radically reimagined in the modern era. Explore the social and cultural nuances of each of the sixty panels in Lawrence’s series on MoMA’s online exhibit:
[image_with_animation image_url=”11428″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] From previous V.Note: “Though I thought I should give it a try, I really thought I wouldn’t like drypoint because every time I heard the word “drypoint” I heard nails on a chalkboard, and most of the prints labeled as “drypoints” seemed less rich and subtle than the etchings …
[image_with_animation image_url=”7871″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Claire Putney Draw/paint/collage/print/photograph what comes to your mind with the word “connectivity.” Share your sketches to this post on our Facebook page. (#salchallenge) The January Creative Challenge: 15 minutes, once a day, for 30 days.
In the previous post featuring Stanley Lewis, Lewis was quoted on his admiration of Wilbur Niewald. “You have got to find out about his paintings (…) Wilbur is an interpreter of Cézanne and Mondrian.” – Lewis Following this advice, I looked up Wilbur Niewald. My eyes were most eager to look at his drawings, still life, and …
In previous V. Notes, I’ve posted work by our sumi instructor Angie Dixon, Huang Yongyu, Pan Gongkai, and stuff you didn’t know about sumi. Today I wanted to broaden my view of sumi painting. I wanted to see more works that are being created in the medium today. With Google as my guide, I collected …
Jacob Lawrence Migration Series
The Migration Series
In 1941, Jacob Lawrence, then just twenty-three years old, completed a series of sixty paintings about the Great Migration, the mass movement of African Americans from the rural South to the urban North. Lawrence’s work is a landmark in the history of modern art and a key example of the way that history painting was radically reimagined in the modern era. Explore the social and cultural nuances of each of the sixty panels in Lawrence’s series on MoMA’s online exhibit:
http://www.moma.org/interactives/exhibitions/2015/onewayticket/
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[image_with_animation image_url=”11428″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] From previous V.Note: “Though I thought I should give it a try, I really thought I wouldn’t like drypoint because every time I heard the word “drypoint” I heard nails on a chalkboard, and most of the prints labeled as “drypoints” seemed less rich and subtle than the etchings …
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[image_with_animation image_url=”7871″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Claire Putney Draw/paint/collage/print/photograph what comes to your mind with the word “connectivity.” Share your sketches to this post on our Facebook page. (#salchallenge) The January Creative Challenge: 15 minutes, once a day, for 30 days.
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In the previous post featuring Stanley Lewis, Lewis was quoted on his admiration of Wilbur Niewald. “You have got to find out about his paintings (…) Wilbur is an interpreter of Cézanne and Mondrian.” – Lewis Following this advice, I looked up Wilbur Niewald. My eyes were most eager to look at his drawings, still life, and …
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