If I wanted to paint solid, flat, even areas of color without visible brushstrokes I would:
Start with a pre-gessoed smooth panel, or apply your own gesso and wet sand between coats.
Use a soft brush, like a synthetic squirrel tail. (Hint: You’ll need to use thinner paint with a softer brush)
Soft brush still too brushy? Don’t use a brush. Try a spray, roller, squeegee. No? Try pouring the paint or apply cut outs for flat shapes.
Try Golden fluid acrylics instead of heavy body paints.
Choose colors that are opaque, not transparent.
Practice your brush strokes so you land the brush softly, and lift just as smoothly, as if you were landing and taking off in plane. Hard stops and starts leave a lot of brush stroke marks.
Try an acrylic paint extender (slows drying time) and a paint leveler (smooths itself out) like Golden’s Self Leveling Gel.
Try using house paints instead of artist paints (less pigment power, but can be very “flat”)
Apply the paint in several light layers, instead of one thick one.
Lightly sand between coats
Alternate brush stroke directions
Didn’t solve the problem? Consider switching to enamels, or dang it all and paint on a computer.
Image above: Paul Reed, Barcelona 1969
You’re reading a V. Note, written by Ruthie V, the director of the Seattle Artist League. The League is an art school for the busy nurse, tech geek, and mom with a long lost art degree. We offer engaging online classes in drawing and painting. Join us! Find your class:https://www.seattleartistleague.com/product-category/d-online-classes/
In the last post called Yogurt Holds the Blueberry, I talked about thinking of everything in a composition as an active shape, painting the spaces between things, instead of painting an object floating on nothing. If we are painting the space between things, we start to see the “background” as an active shape on the …
I had a couple of extra long work weeks, and a few days ago I decided to zonk myself out with bit of TV. What I ended up watching didn’t zonk me out. It rejuvenated me. Days later, I’m still smiling about it. The movie was “Nothing Changes: Art for Hank’s Sake” a documentary about …
I got this idea from Makena Gadient at the recent CoCA 24 hour Art Marathon. This is an excellent design study. Take a stack of cards. Using a big sewing needle, poke random holes into the stack of cards so they all have the same pattern of holes. Then, using the same holes, create a …
How to Avoid Brush Strokes With Acrylic
If I wanted to paint solid, flat, even areas of color without visible brushstrokes I would:
Image above: Paul Reed, Barcelona 1969
You’re reading a V. Note, written by Ruthie V, the director of the Seattle Artist League. The League is an art school for the busy nurse, tech geek, and mom with a long lost art degree. We offer engaging online classes in drawing and painting. Join us! Find your class: https://www.seattleartistleague.com/product-category/d-online-classes/
Related Posts
Morandi’s Watercolors
In the last post called Yogurt Holds the Blueberry, I talked about thinking of everything in a composition as an active shape, painting the spaces between things, instead of painting an object floating on nothing. If we are painting the space between things, we start to see the “background” as an active shape on the …
Hank Virgona’s still lives
I had a couple of extra long work weeks, and a few days ago I decided to zonk myself out with bit of TV. What I ended up watching didn’t zonk me out. It rejuvenated me. Days later, I’m still smiling about it. The movie was “Nothing Changes: Art for Hank’s Sake” a documentary about …
Drawing A Day, Day 20
30SAL Challenge: Connect the Dots
I got this idea from Makena Gadient at the recent CoCA 24 hour Art Marathon. This is an excellent design study. Take a stack of cards. Using a big sewing needle, poke random holes into the stack of cards so they all have the same pattern of holes. Then, using the same holes, create a …